Category: Southwark

| Pubs, Southwark, The George Inn

Why do we care about pubs so much?

Putting aside the arguments over restrictions, passports and David versus Goliath, now we do most of our drinking at home (even before Covid) why does the pub actually matter?

Refreshing the parts.

 

I took the picture above on 22nd July 2020 – the first time I had been in a pub (or even outside one) since 13th March. That was the day I came home from a week of beery events around the UK and went into two weeks of quarantine to make sure I didn’t give Covid to my asthmatic wife. I didn’t leave the house again until 21st June – neither of us had ever seen perspex screens in shops, floor markers and widened pavements to help observe social distancing. We were curious about everything in the outside world.

The picture was taken on a table outside the Anchor & Hope in Upper Clapton, North London. The pub sits on the bank of the River Lea, opposite Walthamstow Marshes, where we’d just taken Mildrid for a long walk for the first time in months.

Liz went inside to the bar, and returned with two of these. Because I am now supposedly an “Influencer”, before I could take a swig I felt obliged (and indeed was instructed) to take a picture and share it on the socials. The accompanying text was:

“First draft pint in a pub since 13th March. Yes it’s a mainstream lager. Yes it’s in a hopelessly inappropriate wrongly branded glass. No it’s not “craft”. Go on, ask me if I care.”

They asked.

I didn’t care.

It was a warm day, 22nd July 2020. But that’s not why I ordered a mainstream lager in a wrongly branded glass. I never ordered a mainstream lager in a wrongly branded glass. I got served a mainstream lager in a wrongly branded glass because that’s all the pub had, thanks to the inept way reopening had been handled, without enough notice for small, local brewers to start brewing again. At home, I had a cellar full of infinitely better beers – and in many cases, the glassware to match.

But this was in a pub.

As is so often the case, the beer itself wasn’t the point.

When I’m interviewed by other journalists – which happens quite a lot each time pubs gear up for reopening – the questions I get asked more than any other are:

  • – Why is the British pub so special?
  •  
  • – What’s the difference between a pub and a bar?
  •  
  • – Why are pubs such a big part of British culture?

These are the questions I was thinking about long before I even knew about “craft beer”, beer styles, the hop profile of a West Coast IPA or the pros and cons of cask breathers. And I’ve just been asked them an awful lot once again, over what we must all hope has been the final week of Covid lockdown.

I’ve been thinking about them for 25 years now, and have devoted the best parts of at least three of the books I’ve written to trying to answer them. If anything, this makes it much harder to try to give short, concise answers, because there’s so much I want to say. But here are three of the main points that come out, with the perspective gained from having been away from pubs for longer than I have ever since the age of about sixteen.

1. We are pack animals.

Mildrid, our dog, is spoiled rotten. I’m afraid she gets whatever she wants, even when this changes on a second-by-second basis. If Liz and I are sitting together, Mildrid has to be there with us, preferably lying between us. When she’s happiest she zones put, almost catatonic. The amateur dog psychologist in me believes this is to do with dogs being pack animals, and that when she’s lying between us, Mildrid is mentally back in her litter of puppies.

Maybe it takes a lockdown to really realise this, but we’re not that much different – we need to be around other people. We want to be in a pub that’s reasonably busy. And here’s the thing: we feel happier if there are other people there even if we have no intention of directly socialising with them.

I’ve realised that the pub occasion I’ve missed more than any other is popping in for a swift one on the way back from the park with Mildrid. On these occasions, I want to read a book, usually for some research I’m doing, and not to bump into anyone I know or be bothered by anyone I don’t know. But I’d still much rather the pub was busy than not (so long as I can get still get a table to myself.)

I wrote in Shakespeare’s Local about how trends in pub interior design have moved counter to trends in our homes. In Chaucer’s time, homes consisted of one room with a fire in the middle. There was no privacy. Pubs, on the other hand, were divided and sub-divided by screens and partitions, the forerunner of the snug, so that couples – who could afford it – were able to converse in privacy.

Now, we’ve gone the opposite way. At home, families spend a lot of their time in different rooms looking at different screens, while many pubs have knocked down all their interior walls, so we can all be in one big space, not interacting with each other directly, but comforted in some way by the presence of others.

2. But we need help socialising.

I love the American bar experience about 75% as much as I love the British pub. It has its own unique attractions, and I miss it desperately if I haven’t been to the US for a while. But much in American society and culture is formalised, whereas everything from the British constitution to the way we order a drink at the bar is informal, unwritten – people are just expected to absorb it and know it.

I once met an American journalist for an interview in a pub in the centre of London. She was just off the Red Eye, and had headed straight in from the airport, so to be fair she wasn’t in the best shape for her first-ever British pub encounter. I found her standing about five yards way from the bar, staring at it, trembling slightly. After we made our introductions she said, “How do you do…” and raised one arm in a weak gesture in the direction of the beer pumps, “…THIS?”

Much has been written about the invisible queue at the bar, about why you never ask for a Guinness at the end of your order, about the difference in hand gestures that are politely attracting attention versus being rude.

But what I love most about pub etiquette is that pretty much all of the above has evolved specifically to encourage sociability: the buying of rounds, the need to go to the bar to do so, the clinking of glasses – the whole lot.

The best illustration of this is the way that the central bar space is open territory, but tables, once occupied, are private. If someone strikes up a conversation with you at the bar, that’s friendly. If they then follow you back to your table without being invited, that’s weird.

(As an exception to British supremacy in this regard, the Germans have a wonderful custom called the stämmtisch, which I wish was ours. This translates as “regular’s table”, and anyone who wishes to join it when it is already occupied is expected to knock on the table to request admission.)

3. So the symbolic value of pubs is greater than their practical use.

Whenever a pub local to me closes, people invariably go, “Oh that’s a shame. They should have gone there more often to keep it open.” Who “they” are is never clear, given that the person speaking professes to love the pub in question, but last went there about three years ago. We want pubs to be there, even if we don’t want to use them ourselves. This can be a problem.

That’s because the pub is such an important part of the British landscape that it represents normality. In the First World War, Prime Minister David Loyd George was in favour of total prohibition, but was talked out of it for fear of a communist revolution. In World War II, the bombing of civilian targets meant morale on the home front was as important as it was on the front line. Churchill understood this. Beer was never rationed, and pubs were never forced to resrict their opening hours. So long as the pub could still open, that meant we hadn’t yet been beaten – even if the “pub” was a plank across two barrels in a bombed-out pile of rubble that had until the night before been a Victorian hostelry.

That’s why Covid has been so shocking. As far as I can tell from my research, there has never been another time in British history when pubs have been required to close their doors universally in this way. It’s like cutting off a limb of ordinary British life. For fans of Shaun of the Dead, our first instinct when the virus hit might have been to go down to the Winchester and wait until all this blows over. But the virus might as well have been designed to take out everything that makes pubs special – the informality, the ordering at the bar, the chance encounters, the chinking of glasses. The fact that the pubs had to close showed that this was not normal. That it was actually pretty fucking scary.

So that’s why, today, all the headlines are about pub gardens reopening, with al fresco restaurants, gyms and hairdressers coming much lower in the mix. It’s why I’m writing this on a bus – the first bus I’ve been on since March 2020 – on my way to the George in Southwark to give an interview to the New York Times, and why I’m talking to CBS’s Sixty Minutes down there after that. If the pubs are reopening, that means Britain is getting back to normal – and the whole world is watching.

So just for today, I’m not talking about how pubs were unfairly targeted by a lazy government, about how those without outdoor spaces still aren’t open, or about all the other problems and issues that are not going away.

Today, I’m going to the pub, wrapped up in fleece and scarf, and asking “What’s on cask?”

| Pubs, Shakespeare’s Local, Southwark, The George Inn, The Tabard

Shakespeare’s Real Local?

A tantalising new scrap of evidence about the bard’s drinking habits has emerged.

The Tabard Inn, Borough High Street

When I wrote Shakespeare’s Local I upset some readers because I failed to prove the contention in the title of the book – that William Shakespeare drank in the George Inn in Borough High Street.

At a time when most people were illiterate, very little got written down. Information about Shakespeare’s life is so scant there’s not even really any evidence of where he lived when he was in London, let alone where he enjoyed a pint. When I wrote the book, there was not one single mention of Shakespeare ever having been recorded as being in any pub, ever.

And yet we know he did live in London for many years, even if we don’t know exactly where. And we know that unless he was a very unusual man for his time, if he lived in London he went to the pub in London. Because everyone did. Beer was safer to drink than water, and you had to go to the pub and get it. And if you wanted to sit back and relax with friends, there was nowhere else for most people to do that other than the pub.

In the absence of evidence, you can only make informed guesses – just because there’s no proof of something doesn’t mean it didn’t happen, so you have to construct the most likely scenario based on the soundest possible assumptions.

My argument in the book was that Shakespeare definitely worked in Southwark, where the Globe Theatre was, so it’s likely he lived close by – most historians believe he did. If he lived and worked in Southwark, he would have visited Southwark’s pubs. We know he was aware of the White Hart pub on Borough High Street, because he set a scene in one of his plays there. The White Hart stood next to the George, so he must have been aware of the George too. The George and its immediate neighbours were the most famous pubs in London at the time, which we know thanks to the meticulous work of John Stow, a contemporary of Shakespeare’s. It’s thought Shakespeare lived in the area for ten years. If he was going to pubs most days, it’s far more likely that he did drink in the George at least occasionally than that he didn’t.

On this, the 400th anniversary of Shakespeare’s death (and the 452nd anniversary of his birth) I would love to be able to announce that new evidence has come to light that Shakespeare really did drink in the George. But in all my research on the place, it never quite works out like that.

I was indebted to an American academic called Martha Carlin when I was writing my book. She’s done more research on medieval Southwark than anyone else, and she recently contacted me to tell me that she’s found the first and so far only record of someone claiming to see Shakespeare in a specific pub.

Of course, it’s not the George. It’s the George’s next door neighbour. It always bloody is.

The White Hart stood to the left of the George on Borough High Street. Not only did Shakespeare write about it, Dickens used it as the location of a crucial scene in the Pickwick Papers. To the right of the George stood the Tabard. This was the inn which Chaucer used as the starting point for the Canterbury Tales. At the time he wrote those stories, he could have picked any of several inns lining Borough High Street. He could have chosen the George. Instead he chose its next door neighbour, immortalising the Tabard for ever as the birthplace of English literature.

The three greatest names in English letters, then, each of them associated strongly with the old inns of Borough High Street, each of them making their strongest link with the inns either side of the George.

Now, Martha writes, the words of an anonymous actuary writing in 1643 have been unearthed, describing “Some notes for my Perambulation in and round ye Citye of London for six miles and Remnants of divers worthie things and men”.

The author announces that his survey is intended “only to notice those places and things that have been passed by or littled [sic] mentiond [sic] by those greate Antiquaries that have written of this noble Citye and ye which places are fast ruining as the Tabard Inne and ye many houses of Priesthood old Monuments Halls Palaces and Houses of its greate Citizens and Lords and may be useful to searchers of Antiquitye in time to come.”

The Tabard Inn, like many of London’s great landmarks, is by now falling into ruin – so we learn that the lamenting the passing of great pubs is nothing new.When he gets to the Tabard, our anonymous correspondent writes, “Ye Tabard I find to have been ye resort Mastere Will Shakspear Sir Sander Duncombe Lawrence Fletcher Richard Burbage Ben Jonson and ye rest of their roystering associates in King Jameses time as in ye lange room they have cut their names on ye Pannels.”

So graffiting the pub was nothing new either!
Unfortunately, Shakespeare’s vandalism of the Tabard was lost when the inn burnt down along with the George and the White Hart, in the great fire of Southwark in 1676. All three were rebuilt the following year. The George is the only one that has survived until today.
So the Tabard – already already famous as Chaucer’s Local – now has a far better claim to be Shakespeare’s Local than its neighbour.
But thanks to this find, we now know that Shakespeare really did go to the pub in Borough High Street. Did he and his fellow ‘roysterers’ ever do a crawl of the great inns? Did he graffiti the George as well as the Tabard? Most likely, we’ll never know. The idea of the group of players carving their names into the panels suggests, to me at any rate, that they were regular visitors who wanted to leave their mark. It makes perfect sense that Shakespeare would choose the Tabard because of its associations with Chaucer, placing himself in a great literary tradition. But did he only ever go to the Tabard, and never to the pub next door? I find that hard to believe.
The point is, the George is the only one of those great inns to have survived the coming of the railways. The Tabard, as well as the White Hart, fell into ruin because they were up for sale for years and no one wanted to buy them. By the time the Tabard was finally demolished, it looked like this:
The Tabard, 1870s
The George was the only one of the great inns to escape this fate, the only one that’s still there to write about and to visit. The main reason it did so was thanks to an extraordinary landlady who used every means at her disposal to keep it going as the inns either side were being pulled down – including telling outrageous lies and exaggerations about its associations with Dickens and Shakespeare to attract tourists and build fascination with this last survivor.
Let’s just say I make no apologies for having sympathy with her aim.