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The Day after Paddy’s Day

Unbelievably, it’s six years since I was in Dublin for Paddy’s Day, at the start of my research for what became Three Sheets to the Wind. Which means it’s six years today that I had the scariest and most surreal cab journey of my life.

I wrote about it but it didn’t make it into the final book. It’s not really beer related as such, but it’s been sitting there in a folder for six years so I thought I might as well share it!
The story so far: I was in Ireland for a few days being a really crap traveller, utterly out of my depth. Liz joined me and we had a great Paddy’s Day, but I didn’t really get what I needed for the Irish chapter of the book – which meant that I would return a few months later and visit Galway. Somewhat downhearted, we hailed a cab to take us back to the airport, for our flight back to London…
Liz is unusually quiet and reflective on the way to the airport, in that we’re almost twenty seconds into the journey before she tells the cab driver that we’ve been here because I’m writing a book about beer. She gets a lot more than she bargained for in response. The driver turns around fully in his seat, away from the busy junction we’re rolling towards, to tell us that we are very, very welcome here. “That’s great. That’s really great. I’ve an idea for a book. Would you like to hear it?” Of course, we nod and say we would love to. He then spends the entire journey telling us how his sister had a relationship with a man from Eastern Europe who turned out to be a murderous thug. They went to live in Sweden, where the thug worked for a man who imported gold bullion. The thug’s job was to follow the people who bought the bullion back to their houses, kill them and take the gold back. Eventually, criminal mastermind and hired muscle had a falling out over the absurdly high bodycount their business was creating. Hired gun murdered mastermind, along with all his family, just to be on the safe side – except one son got away. This man then turned up at a wedding and massacred the hired gun and all his family, all except our cabbie’s sister, who was somehow spared. She took the hint and fled to South Africa, where she remains, too terrified to come back to Europe. But she took something valuable with her: the location of the spot where all the dodgy gold bullion had been buried, in a cemetery on the outskirts of Stockholm. She kept quiet about it for years, but when her brother, our cabbie, lost the multi-million pound fortune he had built up from property and ended up having to drive cabs, she told him the full story. He is now splitting his time between driving cabs in Dublin, and visiting Stockholm cemeteries to look for buried gold bullion and krugerrands. He has a man there doing research for him, and all our cab fares are going to pay for this man’s services. However, the trail seems to have gone suspiciously cold, so perhaps this contact is trying to claim the loot for himself. Our cabbie may have to go over to Stockholm again and, er, take care of him. He turns around to face us again, leaning over into the back of the car, his face close to ours, while doing seventy on the motorway. “D’ye think that might make a good book now?” I tell him that it would make a fantastic book and he must write it. I give him plenty of advice on how to get an agent and a publisher. Because the alternative is to tell him that he is mad, and I don’t want to do that, especially while he’s driving. I’d like to ask him, if he’s close to finding these missing millions, why he would want to blow it by writing the book and revealing the secret. He obviously believes his own story. The distressing thing is, it has so much detail and so many quirks of individuality I feel pretty sure there are shreds of truth in it somewhere. As I’m thinking this, he forgets about controlling the car altogether, reaches under his seat and brings out a 700-page pictorial guide to graveyards around Stockholm, starts showing us various pictures, asking us if we can read Swedish because he needs help with some of the passages. I want to scream so badly. I don’t recognise the road we’re on – I’m positive we’re not heading back to the airport the way I came in. We’re on a new motorway that’s still being built, and for the first time in my life, I visualise my own death. I know I’m going to be hacked up with a spade and buried in bin bags under a flyover. Then we’re at the airport. We leap out and get our bags. With my mouth I beg the driver to buy the Writer’s Handbook. With my eyes, I beg him not to kill us. We sprint through passport control, only relaxing when the plane finally pulls away from the gate and he isn’t on it.

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Happy St Paddy’s Day!

After having the naked audacity yesterday to suggest that a large regional brewer doing something that improves beer quality might actually be a Good Thing for beer drinkers, I’ve decided to completely blow any remaining credibility I might have with the miserable indie kid wing of the beer fraternity and write a post in praise of Guinness.

Beer Nut – I’m not necessarily calling you a miserable indie kid but I know how you feel on this particular issue. It might be best if you just look away now.
I like Guinness. Sorry, but I do. I like it as a brand – it’s stuck to its guns with mould-breaking, innovative creative advertising for eighty years now – and I occasionally like it as a beer. If there was a better porter or stout on the bar, of course I would choose to drink that instead. But the point is, in 99 out of 100 pubs, there isn’t a better porter or stout on the bar. There’s no porter or stout at all. Apart from Guinness. In fact when you think about it, the fact that Guinness – a dark, bitter stout – is as ubiquitous as it is in a world dominated by pale, tasteless imitation pilsners, it is a remarkable achievement. You might be about to comment that Guinness has been dumbed down and isn’t a patch on what it used to be. I’m not in a position to disagree with you. You might also be about to comment that Guinness isn’t a ‘real’ stout, that it’s way too bland or even that it actually tastes of nothing at all. There, I would have to disagree. Guinness is a big brand, one of the few beers that can truly claim to have a global presence. And the main reason it’s not even bigger? Survey after survey shows that the vast majority of beer drinkers find it too bitter, too challenging, too full-bodied. If Guinness were to reformulate to something as robust as the craft-brewed porters we all know and love, it would kill the brand stone dead. It might not be challenging to you, but it is to 99% of drinkers who ever come across it. And still it survives. The success of Guinness should actually give us hop that there are enough people who like challenging beer to make brewing something a bit more challenging worthwhile. If Guinness hadn’t kept the dark flame alive when porter and stout were otherwise extinct globally, would those styles have made the triumphant comeback that’s happened over the last ten years? And there’s one other thing. It’s St Patrick’s Day. If you really, truly believe that Guinness is shit, then go to a pub in Galway tonight and tell the people drinking there that they have crap taste in beer and don’t know anything about drinking. Good luck with that. I’ll be in the Auld Shillelagh in Stokie tonight, having a few pints, otherwise I’d come with you and help try to find your teeth on the floor of the pub. Guinness probably holds the world record (ironic that!) for number of books written about a single beer brand. Today there’s a new one out – Guinness ®: An Official Celebration of 250 Remarkable Year, from Octopus publishing. I don’t know if it’s any good or not, but it does have some recipes in it, and the publishers asked me if I’d put one up ande give the book a plug, so I am, because it’s Paddy’s day and I. Like. Guinness. So here’s one for Iced Chocolate, Guinness and orange cake. Slainte! This sumptuous cake is perfect for a special occasion. The recipe may seem a little involved, but it’s easy to accomplish if tackled stage by stage. Preparation time 45 minutes Cooking time 1 hourServes 8 2 large oranges250 g (8 oz) caster sugar175 g (6 oz) unsalted butter, plus extra for greasing150 g (5 oz) self-raising flour25 g (1 oz) cocoa powder2 teaspoons baking powder3 free-range eggs, beaten25 g (1 oz) ground almonds5 tablespoons draught Guinness 150 ml (¼ pint) double cream Icing20 g (¾ oz) unsalted butter50 g (2 oz) caster sugar3 tablespoons draught Guinness 100 g (3½ oz) plain dark chocolate (70% cocoa solids), finely chopped step 1 Peel one orange. Finely grate the zest of the other orange and set aside. Using a sharp knife, pare away the pith from both oranges. Cut the oranges into 5 mm (¼ inch) slices. Put them in a small saucepan and just cover with cold water. Bring to the boil, then reduce the heat and simmer for 10 minutes. Add 50 g (2 oz) of the sugar and continue to simmer until all the liquid has boiled away, watching carefully to ensure that the oranges don’t burn. Leave to cool.step 2 Beat together the butter and the remaining sugar for the cake in a large bowl until very pale and fluffy. Sift together the flour, cocoa and baking powder, then beat into the butter mixture alternately with the eggs. Add the ground almonds, reserved grated orange zest and Guinness and beat for 3–4 minutes until you have a soft dropping consistency.step 3 Grease and line the base and sides of 2 x 20 cm (8 inch) round cake tins, then divide the cake mixture equally between the tins, smoothing the surface. Bake the cakes in a preheated oven, 190°C (375°F), Gas Mark 5, for 25 minutes until risen and firm to the touch. Leave to cool in the tins for 5 minutes before carefully turning out on to a wire rack to cool completely.step 4 Whip the cream in a bowl until soft peaks form, then spread over one of the cakes. Arrange the cooled orange pieces over the cream and carefully place the other cake on top.step 5 To make the icing, put the butter, sugar and Guinness in a small saucepan. Stir over a gentle heat until the sugar has dissolved, then bring to the boil. Remove from the heat and add the chocolate. Leave to soften, then beat gently with a wooden spoon. Leave to cool and thicken. While still warm but not too runny, pour the icing over the cake and use the back of a spoon or a palette knife to spread it evenly.

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EXCLUSIVE: Marston’s redefines Cask Ale

Full Disclosure: I was paid a consultancy fee by Marston’s to help them look at how to talk about this. That was three months ago and I haven’t been privy to developments since. Despite my previous involvement I have not been paid to write this post – I’m writing it because I believe in the product. But I’m flagging it because I do have an on/off strategic relationship with Marston’s and you should know that before reading this piece.


Marston’s are today announcing the launch of a new initiative called Fast Cask, which the brewer believes will revolutionise the availability and quality of cask ale.

Without going into too much technical detail, Fast Cask is still cask ale because it has live yeast working in the barrel, conditioning the beer. But that yeast has been put through an innovative process that makes it form beads which do not dissolve into the beer. These beads act like sponges, drawing beer through them to create the secondary fermentation.

What this means is that Fast Cask ale casks can stand a lot rougher treatment than a standard ale cask. They don’t need time to settle, which means they can be delivered to festivals and events that don’t normally have cellaring facilities. If a tapped cask is knocked, moved or even upended, the beer inside will still be clear. When not in use, a cask can be stored on its end, making it much more practical in small, cramped cellars.

The process means the beer no longer requires finings, so cask ale becomes acceptable to vegans.

Casks must still be tapped and vented to allow them to breathe.

Doubtless some ale aficionados will reject this as somehow being not ‘real’ ale because it’s not ‘traditional’.

The conversation I had with Marston’s was about taking a longer term historical view of the development of real ale. People who say traditional cask conditioned real ale as we know it today is ‘beer as it’s always been brewed’ are wrong. Traditional ‘running ales’ have only been around since the late nineteenth century, and were themselves one result of the scientific analysis of the behaviour and properties of yeast – an analysis which was decried by many at the time because it wasn’t ‘traditional’. If that process bore fruit a hundred years ago, it’s difficult to argue why we somehow should stop researching yeast now.

If people would simply rather have traditional cask ale that’s fine – Marston’s have no plans to phase it out, and will be offering Fast Cask alongside traditional cask.

We often talk about how cask ale is a living, breathing thing. Well living, breathing things evolve and grow and develop. Fast Cask is simply the next stage in cask ale’s evolution.

Hopefully it will be accepted as such rather than decried in a rerun of the whole cask breathers debate. Because like cask breathers, it makes no difference whatsoever to the quality or character of the beer. It’s still living, breathing real ale.

And it’s a move that helps spread the appreciation of that ale to people and places it can’t currently reach. Anyone who thinks that’s a bad thing really needs to have a word with themselves.

If you want to try it out, look out for Pedigree and Hobgoblin during Cask Ale Week (29th March to 5th April).

So what do you think? Is this good? Bad? Significant or not? Do you want to taste the beer first and then decide, or have you already made up your mind?

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The Beatles and the Stones

Maybe it’s because they share the same combination of artistry and sociability, maybe it’s because both have the power to intoxicate, or maybe it’s just that one was my passion and obsession before the other came along. But I can’t help seeing constant parallels between the world of brewing and the world of pop and rock music. When I first realized that I wanted to be a writer, I wanted to write about music, and maybe I’m just venting some of that frustrated desire.
I’m not going to describe brewing as the new rock and roll because that would be unforgivable, but the excitement of discovering a new beer, the sense of an underground, an alternative to the mainstream, the hype and buzz that occasionally surround an ‘important’ new release… they’re very similar. If you took away the music analogy and my other favourite – seeing the brewing industry in terms of Monty Python films – I’d struggle to describe how I feel about beer and brewing.With that in mind, I was struck recently by the strongest parallel to date. And it’s this: Thornbridge and Brew Dog are the Beatles and the Stones.In the early sixties, the Beatles and the Stones tore up the blueprint of popular music and redefined it forever. They took established forms – rock and roll, rhythm and blues – and while they showed immense respect for these traditions, they twisted them into brand new shapes.The influence of both is inarguable and still felt today.But the two bands were quite different in the way they came across, and people talked about which they preferred.
Thornbridge Hall just to of shot to the left.

While both were experimental and incredibly popular, the Beatles were seen as clean-cut, nice, cheeky boys who you could take home to meet your mum if you snagged one of them. They rocked the establishment, but there was something wholesome about them. They proved accessible and likeable as well as pioneering and brave.

You can’t go out in Fraserburgh dressed like that, you dangerous young punks!

The Stones on the other hand were more dangerous, more edgy, with more attitude. “Would you let your daughter marry a Rolling Stone?” ran the infamous headline. While both bands indulged in mind-altering substances, it was the Stones who were seen as the druggy, edgy band, the real rock and rollers, the Rolls Royce in the swimming pool and the TV out the hotel window.

You could obviously appreciate both, but you probably had a definite preference for one over the other. Thornbridge and Brew Dog are symbiotically linked in my mind because when I first met Thornbridge, Martin Dickie was joint brewer there with Stefano Cossi. Since they went their separate ways they’ve remained on good terms (when I brewed at Thornbridge, the screensaver on the brewery laptop was a big photo of Martin). They’ve developed very similar beers – Martin first explored the wood aging that would lead him to Paradox and beyond with Thornbridge’s wonderful St Petersburg. And Jaipur and Punk IPA are clearly related. A couple of weeks ago, each brewery sent me some beer to try. Brew Dog sent a bottle of Sink the Bismarck! And Thornbridge delivered a few bottles of Jaipur that’s been centrifuged rather than pasteurized and/or cold filtered. This weekend, I tried them both. Both IPAs, both from new wave rock and roll brewers. Jaipur the latest Beatles remix, Sink! the challenging new release from Their Satantic Majesties. I’m actually going to have to discuss the beers in a separate blog post now because there is so much to say about Sink! in particular, so I’ll let this observation – originally intended as an intro to a blog about beer tastings – stand on its own. Please let’s not get into which one of the Bakewell lot is Ringo, and whether James Watt is more Mick Jagger or Andrew Loog Oldham – I don’t want to get down to the personal level (though I’ll give you Martin Dickie as Keith Richards – there’s even a passing physical resemblance to the young Keef). But if the analogy is true, can we extend it? Who is the brewing world’s Simply Red, its Joy Division or Black Lace?

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Why Beer Matters – The Results!

21 people competed for the trip to Budvar I won in December and offered up here in January.

I’m sorry it took so long to pick a winner!
It was interesting to read the variety of entries – a privilege to get an insight into what beer means to different people around the world.
Many entries talked about beer’s role through history in keeping us alive, and almost everyone touched at least in part on beer’s role today as the most sociable of drinks, its uniquely slow, stately progression of inebriation and the way we can bond over it. Many said we could do that bonding anyway, but the beer sure as hell helps. Some tried the angle that the beer itself is not what matters, but the friendships and times it helps catalyse, while others said beer may not matter to you, or to the guy down the street, but it matters to me because I drink it, or I brew it, or make my living out of it, and wouldn’t have it any other way.
So in terms of themes it was all quite familiar stuff – I’ve made all those points in my books and on this blog many times before.
But what made reading these entries special was the way these arguments were illustrated. We might all think similar things about beer, but our own individual stories that back up these beliefs are quite different, and make for a wonderful collection of reading. Your first beer, your coming of age with beer, the moment you decided you wanted to brew, the places you’ve travelled in the name of beer… reading these entries one after the other was to be pulled around the world from one cool bar to another, back and forth across the last three or four decades, fantastic beer at the centre of a kaleidoscope of life experiences.
I know what you’re thinking. You’re thinking ‘sod the platitude and purple prose Pete, who won?’
OK, so we had three entries that really stood out for the pack.
In third place, is John Bidwell from Denver, Colorado, with his essay: ‘Liquid identities: Community Representation through Beer.’ He focuses on how two brewers in two different parts of the world pack their beers with a real sense of place and provenance, and transport you to those places when you drink them.
In second place is Shea Luke, with a spirited romp through her life as a young, female real ale enthusiast and ticker. Shea blogs here and will be on my blogroll from now on. She has a distinctive, fresh voice and a lovely turn of phrase, and I hope we hear a lot more from her in future.
And the winner… let’s hope all these prizes don’t start going to his head, but first place goes to Mark Dredge. He’s so industrious, so omnipresent, that it’s easy to forget that Mark has been writing about beer for less than two years. He’s on a very steep upward trajectory and this entry is proof of that. It traces all the themes outlined above, but frames them in a neat narrative arc and addresses them with passion, energy and clarity. A clear voice and an increasing confidence in his writing mean Mark will be going to Ceske Budejovice and seeing his piece in The Publican very soon.
Thank you so much to everyone who entered. It really was a pleasure to judge – I don’t think there was a single entry that was not enjoyable in some way. I’m hoping to post the top three entries on here over the next week or two, so stay tuned for some fresh takes on the beverage we all feel matters so much.

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Hold the front page – Daily Mail twists truth to scare people over drink

It’s like shooting fish in a barrel these days I know, but after being alerted to this by a fellow blogger, I couldn’t let it pass without comment.

The Mail this week ran a story titled ‘Beer for breakfast? Pub chain Wetherspoon to open at 7am‘.

It’s one of those classic weasels whereby if you read to the end of the piece, you eventually get the true facts. But journos know that most people read the headline and the first paragraph. If you did that here, you could only come away with the very clear impression that Wetherspoons is going to start serving – as the headline says – ‘beer for breakfast’, from 7am.

The only trouble is, that’s not true:
  • Wetherspoons will NOT be serving alcohol when they open at 7am – they won’t be serving alcohol till 9am – meaning the headline is factually inaccurate:
  • Wetherspoons ALREADY serve alcohol from 9am – so this is not news – in terms of pursuing its anti-drink agenda, there is actually no story here. Wetherspoons is NOT extending the hours during which it serves alcohol, even though the story is desperately trying to make you think they are.

So far, so Daily Mail. But the reason I had to write this piece was the following sentence:

“The new early hours are one result of the controversial shift to 24-hour licensing laws that has also coincided with a rise in concern about under-age drinking.”

Even by the Mail’s standards, this is a masterclass in deceit and distortion, and deserves to be dissected and studied carefully.

Firstly, its place in the article seems odd. Why are we suddenly talking about underage drinking when we were just talking about breakfast in Spoons? Read it quickly – as most of us do – and you’ll think that Spoons opening for breakfast is going to encourage underage drinking. This is not what the sentence says, and it wouldn’t make sense of it did now we’ve established alcohol won’t even be served at breakfast time. But if it’s not trying to do that, why is it here? It’s actually irrelevant in this story – it’s part of an entirely different story. Given that alcohol is not being served, the whole area of licensing laws and ’24 hour drinking’ is irrelevant to the story – this breakfast move has nothing to do with liberalised licensing hours whatsoever. This point is only here to create an entirely false association between Wetherspoons and under-age drinking.

Secondly, look carefully at the sentence itself – it links two entirely separate concepts – 24 hour licensing laws and underage drinking. It cleverly uses the word ‘coincided’ because there is no evidence whatsoever that what they refer to as “24 hour licensing laws” have had any impact on underage drinking, but still, the link is forged.

And finally, there’s that beautiful weasel of ‘a rise in concern about underage drinking’
What’s that you say? Under-age drinking is rising? Oh hang on, no, that’s not what you said is it? Because under age drinking is not rising, and you know it’s not rising. In fact every single survey conducted since the new licensing laws were introduced, such as those surveys discussed here and here, shows that underage drinking is FALLING.

But you say ‘concern’ over underage drinking is rising? It is, is it? Among whom? And why? Wouldn’t have anything to do with the Daily Mail creating a scare story where none exists, would it?

Take a bow Sean Poulter. Even by the standards of your colleagues, this is a brilliant piece of shit smearing. If it weren’t so evil, I could almost admire it.

Fortunately, most of the commenters on the article have seen through your spin. Apart from some vile, bigoted comments about people on benefits, no one can really see what the supposed problem is in this (non) story – and this is Daily Mail readers we’re talking about. Maybe there’s some hope for us after all…

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Government report says Mandatory Code on pubs not needed – govt introduces it anyway

Catching up with myself, I thought that overall it would be less embarrassing if I started at the back with the really old correspondence and notes I haven’t yet dealt with rather than starting with what I need to respond to from yesterday.

I’m glad I did, because I’m regretting not remembering and sharing this little treasure earlier: At the end of January, a friend of mine in the industry sent me a link to Home Office’s overview report on regulating the alcohol industry, which was issued by the Government to support the launch of the Mandatory Code a few weeks ago.
My friend D thought the final paragraph of the report was particularly revealing:

Existing legislation
A question that looms in responses across strands and across audiences is whether the regulation
of the on-trade needs as much tightening as the Consultation Document suggests. It is stressed
that most premises are not hubs of crime and disorder. Where problems may arise, many feel that
the enforcement of existing legislation as well as voluntary local partnerships can go a long way in
addressing them. Many measures are already considered good practice and it is questioned
whether further legislation is therefore needed.
In other words – the government produces a report to back up more restrictions on pubs, and that very report concludes by questioning whether further restrictions are needed, but the government implements them anyway, and releases the report that says no further restrictions are needed to support the further restrictions they’ve implemented.
Marvellous.
I wanted to use a picture here. This is the space where a picture of the Dentist’s Chair promotion would go, if such a picture actually existed.
And for those of you with long memories – there’s no mention of the Dentist’s Chair promotion anywhere in the report. I wonder when that was inserted as a soundbite? Surely we’re not looking at something here that was ‘sexed up’?

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At conference

Writing this on my way home from the SIBA annual conference, on a cold, draughty train with no tables, no refreshment trolley, no power sockets. Wedged sideways on a hard, narrow seat, developing pins and needles in my left leg which is curled up to provide a surface for the laptop, the cold grey light, bare branches and churned, muddy fields gliding past the window, everything conspiring to accentuate what was a surprisingly mild hangover, draw out the nuances of it, develop the waves of pain and nausea like a symphony orchestra playing variations on a theme, and turn it into something that forces me to seriously contemplate tearing my eyeballs from their sockets. But it was worth every groan, whimper and noxious whiff. I first went to SIBA two years ago, to present a summary of the first Cask Report. They treated me well, looked after me, and I said yes like a shot when they asked me back to present on the second cask report a year later. But three years running felt like overkill, so this year I wasn’t invited to speak. It got to Monday and I thought, sod it, there’s no actual reason for me to go this year, but it’s such a good crack I’ll go anyway. Not for the speeches and presentations – even though some of them were quite good, they weren’t really aimed at me – but for the chance to be in a room full of brewers sharing their beers. Every year a local MP or mayor will open the conference and inevitably talk about how real ale is not a binge drink, and everyone will nod furiously, and throughout the day the theme will be referred back to in presentation after presentation – real ale drinkers are moderate drinkers, responsible drinkers, you can’t really binge drink real ale, and we all nod every time it comes up, and then at 5pm the speeches finish and we charge the bar and get riotously, deliciously hoonered on real ale. SIBA conference drinking is drinking with gusto, with relish. It’s hearty drinking, lustful for life drinking, and more importantly, it’s only £1.50 a pint. The conference (or just ‘conference’ without the definite article according to the people running the thing – it makes it sound more important) also sees the announcement of the winners of the SIBA National Brewing Competition, which is becoming a serious contender to CAMRA’s Champion Beer of Britain. The overall winner was Triple Chocoholic from the Saltaire Brewery in Bradford, also winner of the speciality beer category. Brewed with chocolate malt, actual chocolate and chocolate syrup towards the end, it’s a very easy beer to write tasting notes for; a very difficult beer to write good tasting notes for. It’s very, very chocolatey and very, very gorgeous. Sorry, that’s the best I can do. Saltaire also won their category for their Cascade Pale Ale. People have been murmuring about Saltaire for a while now, they’ve won a bagful of awards already, but this felt like a coming out party for them. Definitely a brewery to watch, and after chatting to the brewer after dinner I’m looking forward to arranging a visit as soon as I can. Thornbridge Lord Marples, Bank Top’s Dark Mild, Salopian Darwin’s Origin, Green Mill Big Chief Bitter, Dorothy Goodbody’s Country Ale, Blue Monkey Guerilla and St Austell Proper Job were the other category winners. And Christ, I’ve laughed a lot in the last two days. Sometimes I laughed at someone’s expense (I’m sorry, but even if the bloke selling stillaging units has never seen Swiss Toni on The Fast Show, he still can’t be forgiven for that haircut, moustache and grey suit combination) but mostly I laughed because the people I was in conversation with were extremely funny. The theme of the conference was people – working with people, valuing people you work with, getting the best out of them. It brought home just what a people business the beer business is. That’s a rubbish thing to say, because every single business on the planet is a people business, but what we mean is that it’s a sociable business. Someone on my table at dinner last night told a story about when he was at another conference in a hotel, and in the bar afterwards he was sitting enjoying a few beers with some of the other delegates. There was another conference in the same hotel – packaging or IT systems or insurance or something – and the guy in charge of that conference decided to – ahem – ‘work the room’. He came over to our brewer’s table and said, “Hi, what do you guys do?” “We’re brewers,” replied the brewer. “Right! Cool. Which brewery?” “Well… we all work for different breweries.” The guy was incredulous. “I’d get fired if I did something like that! There’s no way we could simply sit round a table having a laugh with our competitors. It just wouldn’t happen.” This is one of the things I love most about beer. You doubtless have a pile of stories yourself that illustrate the same point. And it’s why I get so bleeding angry when the infighting starts. We’re better than that. We have something no one else has. SIBA has its critics, as do small brewers generally (I was in a room recently where one big brewer turned a small brewer he’d only just met and said “You lot are all parasites.”) And SIBA itself has its own share of infighting and politicking. There are always issues and genuine areas of disagreement, competing priorities and conflicts. And I’m lucky that I can stay half in, half out of such conflicts, not being a brewer or pub owner myself. But the sociability and the common cause are much greater, much more important. Which is why I’ll be at ‘conference’ again this time next year.

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The Special Relationship

I just spent a couple of minutes trying to find a picture to illustrate this post, because that’s what you’re supposed to do on blogs – make it more multimedia and all that. But as soon as I started scanning potential pics, I realised this was one of those posts that’s best appreciated if we let your imagination do the work, so here goes...

Had a fantastic afternoon today in a Euston pub with Mitch Steele and Steve Wagner from California’s legendary Stone brewery. They’re over in the UK researching a book on IPA, and having a once in a lifetime type of trip (note to self: pretend you only have ten days left in Britain, but three months to plan what you do in those ten days. What would you do?)
We had a good chat and traded notes, and even drank some IPA. After an hour or so, it emerged that Mitch and Steve hadn’t eaten lunch. It was Steve’s round, so he volunteered to order some food when he went up to the bar.
Ten minutes later, the food arrived. Both Steve and Mitch looked perturbed – the classic look we all get when we’re in a foreign country and we’re almost certain something is wrong, but we don’t want to kick up the same stink we would at home for fear of offending someone or being shown up as a clueless tourist who just doesn’t get it.
Eventually Steve said “Um… this is not what I ordered. I ordered a vegetable platter.”
I looked at the sharing platter between us, and felt the slow, cold-water-creeping embarrassment we all feel when we’re in our own country and we realise something is wrong, but only because we’re seeing it through a foreigner’s eyes, and we don’t want to kick up a stink because we don’t want our guests to think of us as some clueless hick who just doesn’t get it.
Eventually I said, “Um… yes, this is what you ordered. It is the vegetable platter. Look, these are deep-fried onion rings in batter. Onions are a vegetable. These triangular things are deep-fried vegetable samosas. They’ve got vegetables in. These nobbly things are… they’re deep-fried mushrooms in breadcrumbs. Mushrooms are a vegetable. And so is bread. These things here are curly fries. They’re made from potato, which is a vegetable. You recognise taco chips of course – made of corn, and corn is another vegetable. And this last one here, this grey cylindrical thing… I’m not sure…. hang on, I’ll taste it… oh. These are onion bhajis. Deep-fried onion and potato. So you see, it is a vegetable platter.”
Steve and Mitch were both silent for a while. Then, eventually, Steve said, “I keep forgetting we’re not in Southern California any more.”
“Look,” I replied, “If I turn the plate around there’s a bit of garnish on this side, and there’s a little bit of that that’s green.”
Gingerly, Steve reached for a deep-fried breaded mushroom.
But even though I’d already had lunch, I was the only one of the three of us who went anywhere near the bhajis or the curly fries.