Category: Uncategorised

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Marston’s: the second-best press advertising of 2009

The year’s final deadlines mean I don’t really have time today to add my own comments to this so, rather shamefully, I’m just going to cut and paste the press release. But I think this is fantastic news (and a nice addition to Let’s Be Nice Month):

MARSTON’S PEDIGREE AUSSIE ADS TRIUMPH Marston’s Pedigree Ashes cricket series advertising campaign has been awarded second place in Campaign magazine’s top ten press ads for 2009. The campaign ran throughout the Ashes and used traditional banter to poke fun at Australians with strap lines such as ‘we have beer in our blood, Australians have lemon juice in their hair’ and ‘England has history, Australia has previous.’ Marston’s Pedigree was only beaten to the top spot by The Guardian with their classic comics promotion and was the only beer brand to appear in the top ten. The article praised the ad for ‘lovingly recreating British pub iconography to ridicule Australians.’ Des Gallagher, marketing manager for Pedigree said: “To be placed second out of all of this year’s ads is fantastic news. The campaign was designed to reflect the pub goers view of Ashes banter, good humoured and witty – and judging by the fans reaction we certainly achieved that.” Throughout the summer Marston’s achieved record sales, selling an additional million pints in clubs, pubs and sports grounds across the country.

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Sheffield gets a fantastic new pub. As if it didn’t have lots of those already

Day three of “Let’s Be Nice On Pete Brown’s Beer Blog Month” and boy, it’s tough. A real test of will. If I was arrogant enough to believe that people with influence ever read this blog, I could conjure up a fantasy that they were being as annoying as possible simply to try to get me to break my resolve. Naming names would be tantamount to having a go, but from the government through the industry and the media to the blogosphere, Christmas joy seems to have got delayed, stuck behind an enormous cartload of twattishness. I’m rising above it. I will maintain my resolve. I will be nice.

It was very easy to think nice thoughts on Tuesday night. Thornbridge’s latest Joint Venture is with Pivovar – a company that imports foreign beers – and it’s a joy: ladies and Gentlemen, say hello to The Sheffield Tap, Platform One, Sheffield train station.
To paraphrase the immortal John-Anthelme Brillat-Savarin, a train station without a pub is like a beautiful woman with only one eye.
Sheffield station did have a pub – kind of. In 1904 a set of refreshment rooms was opened for first class passengers. It was beautiful, with tiled walls and a long wooden bar. In 1975 the bar was closed and it was turned into a waiting room. Soon after, it was used for storage. And after that it was closed up, and this listed building was left to rot. The roof fell in, the tiled disappeared behind layers of grime and six-foot drifts of rubbish.
Why Network Rail and their predecessors were perfectly happy to let this happen, to forego the chance of a little goldmine in a beautiful building at a busy city station when they’re continually putting up fares because they don’t have any money, is speculation that will have to wait until after the end of Let’s Be Nice On Pete Brown’s Beer Blog Month. Network Rail were also apparently indifferent to Pivovar’s plans to renovate the place. They have ‘endorsed’ the move, but given little if any practical help.
No matter: Pivovar’s Jamie Hawksworth got in touch with Thornbridge, and between them they’ve created one of the most pleasing bars you’ve ever seen. It combines the grandeur and pride of a classic Victorian architecture, the quiet beer worship of a Belgian cafe and the snug intimacy of a British boozer. Eight Thornbridge Beers on tap, hundreds of bottles from around the world in the fridge, quality Czech lagers, the works.
On the downside there’s one hand drier in the gents that’s like a child’s toy hand drier, and if they don’t put a departures board in there soon I promise you you’ll miss your train. Apart from that, it’s a perfect pub.
(With one slight caveat: apparently, when they got into the place and made their way through the mounds of refuse, on one of the walls was the legend: “Barnsley Skins”. The bar has of course been restored to its original glory but to me this is a vital piece of period detail that has been removed, and I was upset that the guys seemed unwilling for me to scrawl it back on the wall where the big mirror is.)
Thornbridge’s Kelly Ryan, Beerticker movie cameraman Dave, and me – just before it got messy.

It’s only two hours from London to Sheffield, as Simon Webster from Thornbridge kept reminding me. From our house, it’s sometimes touch and go whether I can get to the White Horse in Parson’s Green in that time. The Tap may just be a regular haunt – it’s well worth the travel time.

One bit of advice to anyone thinking of drinking there: if you haven’t done so already, when you discover Raven, the new black IPA from Thornbridge, on no account treat it as a session beer. Your tastebuds will tell you it is. Your beer drinking instincts will tell you it is. If you succumb to these voices you will wish yourself dead the following morning.
Trust me on this.

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Goodwill and good beer

Spent a very pleasant evening at the Hillsborough Hotel with the Beer Widow planning how to spend my year as Beer Writer of the Year (did I mention that?). I’m not going to broadcast my plans for world domination right here, but boy, I’m going to be busy.

Anyway. It starts right here, on this blog, which will be seeing some changes in the New Year.
But it’s nearly Christmas, and I’m very happy with my success last week, and for those two reasons, rather controversially, I’m declaring December “Let’s Be Nice On Pete Brown’s Beer Blog Month.”
So if anyone is logging on to see my thoughts on Brew Dog’s latest Portman spat, or to enjoy me ripping apart the Daily Mail’s latest risible bunch of bullshit and barefaced lying, I’m sorry. I’m biting my tongue till the New Year, and writing only nice things. December is a time of celebration, of recognising everything that’s great about the human spirit, and what better way of toasting that than with beer? The guns of common sense fall silent. The grenades of rhetoric and the tear gas of well chosen swearwords are held in check. Yep, it’s just like the Christmas armistice in the trenches during World War One. Only perhaps not quite as historically significant.
There will be some slight exceptions when I get to posting my review of the year. I had a great reaction when I did this last year and I’ve decided to make it a Christmas tradition. Rereading last year’s it’s amazing to realise what a busy year it’s been – it reads like it was written about five years ago. I’m enjoying compiling the new one, and will post just before Christmas.
But talking of celebration, here – at very short notice – is my announcement of one of the coolest things I’ve done all year. As regular readers will know, I spent most of the summer travelling up and down the UK promoting Hops and Glory in pubs, at beer festivals, food festivals, literary and music festivals. I finished in early October, and had always planned to do a final gig (I started calling them gigs after I performed at Latitude. Take the piss all you want, but my name is on the back of the t-shirt – quite far below Thom Yorke, Doves and Spiritualized and in significantly smaller type, it’s true – but I believe you’ll find that’s how I roll of late) at the Rake in London.
Anyway, this – ahem – end of tour gig was going to take place late October/early November, but I’m very disorganised and so are the chaps at the Rake. So it’s now happening this Thursday, 10th December. Yep, just two days from now.
But if you’re anywhere nearby, it’s worth trying to get along to, and here’s why, in no particular order of merit:
  • It’s going to be the last time I ever do my Hops and Glory reading presentation in the format I’ve done it this year. Next year I have all three books being reissued in paperback and will be writing a new talk/presentation/speech/routine/whatever you want to call it, about beer more generally. So it’s your last chance to hear about Barry the Barrel, William Hickey and Brazilian prostitutes.
  • I’ve got a cask of Seaforth – the special beer created this summer by Thornbridge which is basically Jaipur brewed with all-English ingredients, and which they asked me to name. So I did.
  • I’ve also got a cask of Crown Brewery Hillsborough IPA – the insanely hoppy brew created by Crown Brewer Stu, which I helped brew in the summer. It’s now been aged in a warm room for four months and should have started to gain some authentic IPA characteristics.
  • Finally on the beer front, we’ve got – get this – THE LAST EVER PIN OF CALCUTTA IPA!!! I thought we’d had the last one at my Burton book launch, but they found one last one at the brewery. It’s not been on the sea voyage, but traditional IPAs that did not go to India were aged for at least a year before being sold domestically. This one is now two years old and as such should be as close as possible to how IPA was when it was consumed in India (with one exception – we’d probably get punched if we served it authentically ice-cold).
  • And finally overall, I’m delighted, privileged and honoured to be sharing the room with legendary master brewer, Burton god, curator of Worthington White Shield and creator of Calcutta IPA, Mr Steve Wellington. Ask Steve about brewing traditional IPAs, keeping the Burton flame alive and generally being one of the greatest living brewers on the planet.
The room above the Rake is very small and tickets are extremely limited. They’re available from Utobeer or the Rake, by emailing melissa@love-beer.co.uk or phoning 020 7378 9461.
I’ll be selling all my books on the night at generous prices. They make perfect Christmas gifts.
In the words of the great Roger Protz, what more do you want, blood?
See you there.

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Not an overnight success

While I was the happiest person in the room on Thursday night, a few people will have gone home disappointed.

I know how they feel.
Three years ago I hoped I was going to be successful with Three Sheets to the Wind. I won the travel bursary and hoped I was going to win the overall thing. I didn’t.
But this proved to be the crucible from which Hops and Glory emerged, so I got there in the end. This is referenced briefly in the opening chapter to H&G. But in the first draft, there was a much longer account of the Beer Writers Awards 2006. This was one of the first things my editor cut, and he was right to do so. It was too self-indulgent and prevented us from getting to the real start of Hops and Glory as quickly as we needed to. It didn’t belong in the book, but it couldn’t go anywhere else either.
Now, I think I can offer it here as another deleted scene DVD extra. It is self-indulgent and will only really be of interest to other writers, but I hope it raises a smile and conveys that this is a game of agony as well as ecstasy:
CHAPTER ONE: A POISONED TANKARD?
It was the beer’s fault. It usually is. Although, when you consider that beer is the most popular drink in the world, consumed by billions on a daily basis, and not a single person among those billions has attempted to do what I was about to do in the name of beer, I have to shoulder at least some of the blame myself. I don’t mean that I got drunk and did something I regretted. I did get very drunk. And I did do something I would come to regret bitterly at several points over the following year. But one did not lead to the other: I did most of the damage while perfectly sober. What I mean is, this was one of the increasingly frequent occasions when I got carried away after spending too much time with the kind of people you meet when you let beer start to mean more to you than simply the best long drink in the world. Not for the first time, the ideas and associations that surround beer, what beer means, intoxicated me more effectively and more devastatingly than mere alcohol ever could. My voyage across the Atlantic on a century-old tall ship, and the larger quest of which it was merely part, began over dinner, ten months before I boarded Europa. Not just any old dinner though. Tonight, in the elegant surroundings of the Millennium Gloucester Hotel in London’s fashionable Kensington, just before Christmas really started to get going, several people – not all of them bearded, pot-bellied, cardigan-clad or even necessarily male – were about to receive trophies and cash for writing about beer. Every single time I mention the British Guild of Beer Writers to people who don’t work around beer, they seem to find its very existence, the mere concept it, either hilarious or completely unbelievable. A few years ago I could still sort of remember why this was. But I wasn’t laughing tonight. Tonight, for the first time since I started writing about beer, I was one of the people hoping to climb on stage and shake the hand of TV Chef and Celebrity Yorkshireman Brian Turner, and collect an envelope from him as the great and good of the British beer industry bathed me in their applause. Beer had just got serious. As formal dinners go, it was probably one of the more unusual the harried hotel staff had catered. The India Pale Ale sorbet had been a triumph. The venison matched with brown ale had split opinion, and the double chocolate stout with the chocolate pudding had been judged a bit too obvious by my table. But the contented bickering indicated that, overall, the dinner had been a success. Brewers, beer writers, beer marketers and beer PR executives pushed back their chairs, ambled past tables where they paused to shake hands with colleagues and adversaries they hadn’t seen since this time last year, and made their steady (for now) way to the bars at the side of the big, palm tree-lined conservatory to choose a digesitif from the range of forty or so beers available. The cannier among them picked up more than one bottle, knowing that in a few minutes they’d be confined to their seats to wait patiently through the business part of the evening. When it comes to the mix of emotions within the audience, all awards ceremonies are the same. Whether we’re talking about the Oscars or school sports colours awards, most attendees are willing this part to be over as quickly as possible. The few attendees who believe they’re in with a chance of winning something do their best to project an attitude of good-natured, weary boredom, while their insides churn through hope, envy, bitterness and triumph and back to the start before the shiny envelopes have even appeared. I wondered briefly which end of that scale –Academy Awards or school colours– the British Guild of Beer Writers Annual Awards Dinner was closest to. I was always rubbish at sport, and so far nobody had tried to throw my bag on the roof, beat me with a rolled up wet towel, or take the piss out of my green flash trainers in front of forty other people before whipping my arse repeatedly with them.[1] And the idea of me winning something, anything, was something you could at least entertain without having to question the fundamental laws of reality. So tonight didn’t feel like my school sports award ceremony at all. On the other hand, Brian Turner was by far the most famous person in the room. As the PA system popped into life and the big screens lit up with the logos of our brewery sponsors, I joined the stomach-churners for the first time, practising the requisite benevolent smile for when the name that is read out is not yours, the smile that you will need to keep pasted to your face as you watch someone else walk in YOUR stead up to the stage and collect YOUR award and you can only think of how long it is before you can reasonably disappear to the toilet and punch the cubicle walls and question your whole direction in life and wonder at the futility of it all and hate yourself for even thinking for a second that you were in with a chance of winning anything. You know how it is. “And the winner is… Pete Brown!” As Brian Turner became the first person in history to utter those words in that order, my initial reaction was not jubilation, but profound relief. It wasn’t the main award, of course (I would need my fake smile after all, later in the evening, for that one) but it was the one I really, really had to win. The Budweiser Budvar Travel Bursary is awarded for beer writing that has an international scope. This is a good idea in a country where many beer acolytes start with the belief that the best beer in the world is brewed within a couple of hours’ drive of their front door, and work cautiously out from there. The 2006 prize was awarded for my second book, Three Sheets to the Wind, which is still available on Amazon at a bargain price. To write it, I’d travelled forty-five thousand miles around the world, visiting nearly five hundred pubs and bars in twenty-six towns and cities in thirteen countries on four continents. It had cost me one year and thousands of pounds to plan and execute the travel, a second, much lonelier, more frugal year to write a book about my journey that was far too long and self-indulgent, and then help my editor delete about a third of it and fashion what was left into something people might conceivably pay money to read. I was the only beer writer to have attempted anything on this global scale, at least in one go. If someone else had won the beer/travel prize for, say, a fifteen hundred word article in Beers of the World magazine about a day trip to a brewery in Bamberg that makes smoked beer, interesting as that would no doubt have been, I would have had to take it as a pretty heavy hint that I wasn’t really getting this beer writing lark right. I’d even included a glowing account of my visit to the Budweiser Budvar brewery in Ceske Budejovice, southern Bohemia, and their head of Public Relations was on the judging panel. I had no idea what I was setting in motion as I stood up and walked to the podium, shook TV Brian’s hand and relieved him of a ceramic tankard with painted figures on the outside and, even more attractively, a cheque for a thousand quid on the inside, underneath the heavy pewter lid. After that, everything happened so quickly it would be months before I came to terms with it. Relief turned to glowing satisfaction as I got back to the table, moved the cheque to my jacket pocket and filled the tankard with something dark and malty from somewhere in Belgium. The Budweiser Budvar Travel Bursary 2006 was the fourth prize I had ever won in my life.[2] Two of the previous three had been writing competitions: the first was for a story inspired by a poster in the school corridor when I was ten. My gripping yarn of mutated giant hornets ridden by evil goblins thrashed the living daylights out of the runner-up, and not just because he was eight years old and the only other entrant. My last victory was the Time Out short story competition in 1994. My delight at winning my first ever computer for a story about an eclipse over London, and having it printed in a magazine people actually read, was only slightly lessened by the fact that Time Out immediately abandoned the competition in their wake of my victory, and has never done anything to encourage people to write short stories since. As I returned to my table I was optimistic: sixteen years between the first two prizes. Only twelve between the second two. My writing career was gaining momentum.[3] I should have been very happy indeed. There was no other sane reaction to the kudos of having won a prize with my first entry into the competition, not to mention paying off another thousand quid of the debt the writing had accrued. But as Brian reeled off the names of the winners of the other categories I’d entered, doubt crept back in. Finally it was time for the overall prize: Beer Writer of the Year, chosen from the winners of all the categories, built up by a glowing eulogy from Alistair Gilmour, the previous year’s winner. “This guy could have won every category he entered…” Hey, I entered several categories! And I won one! “He’s very funny….” People always say they laughed at Three Sheets. “He brings a breath of fresh air to beer writing…” Me, me, me… “And I’d just like to finish by illustrating this with a short piece…” Yes? Which piece? The bit about the Hamburglar in Spain? The bloke who ran the bar in Portland Oregon for 25 years after signing the lease for a laugh while he was drunk? The bits with Billy and Declan in Galway? Which? “…about the time he tried to convert his older brother to the delights of real ale…” Bollocks. My only brother is three years younger than me and I’ve never tried to get him to drink real ale. Ben McFarland, the hardest working man in beer writing, rose to collect his second Beer Writer of the Year award in three years. I couldn’t begrudge him it. He’s a very good writer, and if I couldn’t win, he’s the person I’d want to. In fact, every category was won by someone I not only respected as a writer, but also enjoyed sharing a beer with. It was a good night. But they were still all bastards. Doubts started to crawl all over me like little ticks; ticks that could whisper in your ear instead of giving you a rash. They’d given me my award out of sympathy. Just because of the disturbing amount of effort I’d put in. And you couldn’t ignore the very curious wording of the award. As I drained my tankard, I started to think very carefully about that, oh yes. You see, if you read it closely (OK some might say too closely), The Budvar Travel Bursary is specifically not awarded to “the year’s best piece of beer-themed travel writing (or travel-themed beer writing)” at all. It was actually awarded to “the writer who the judges feel could most benefit” from the money. Technically, it wasn’t rewarding my writing. It was saying I needed more practice. Well, that was that. Three Sheets had taken two years of my life, cost me thousands, damaged my health and upset my wife. I wanted to write more books, but there was no way I could ever do anything else on such a scale. I had been trying to work on new ideas for six months, and come up with nothing. It had been my best shot. I was having trouble communicating this to the people around my table though. They weren’t sitting with the overall winner, but they were sitting with a winner, and they were very happy for me. “Congratulations, Pete. What are you going to spend the money on?” “You’ll be off on your travels again now then, eh?” “Where are you going to go next?” “I think Liz deserves a bit of a break from the whole beer thing,” I said. “I might spend most of it on some luxury health spa retreat for us both. And then… I might write a book about… I dunno, something else.” “No, but seriously, there’s loads of countries you didn’t go to last time aren’t there?” “It’s a travel bursary. You’ve got to travel.” “You could do a pub crawl across England. The longest pub crawl.” I grinned mirthlessly. “I was going to. But a man called Ian Marchant already did. And not only did he steal my idea before I’d thought of it, he wrote a better book about it than I would have done. It is in fact called The Longest Crawl. Funny eh? It came out a month after Three Sheets. I can recommend it.” “So where are you going to go then? What about going to the States again?” “I need to refill my rather splendid tankard, I’m afraid.” I was being churlish. Every person on my table was a beer-world mate, someone I was very happy to be dining with. And I’d won something. So later, after refilling my tankard too many times, disgracing myself, losing my cheque and phoning Budvar the next day to ask them to stop it and issue me with a new one, I thought about how I might satisfy the moral obligation to spend at least some of my prize money on a beery trip somewhere. I might return to Germany and visit some of the famous brewing towns I was forced to skip on my Three Sheets trip due to the Death Star-sized hangover and possible scurvy inflicted on me by Oktoberfest. Maybe write that article about the day trip to Bamberg and the smoked beers myself. Or perhaps I’d go to Finland and drink the very strong beer they still make there by fermenting wort with bread yeast inside a hollowed out spruce log before filtering it through pine needles. Either of these trips would make a nice article for one of the specialist beer magazines. I would enjoy the trip, learn something new, and the obligation would be fulfilled. These plans made me happy for about two weeks, before flying scared out of the window of a central London pub, chased away by the dangerous and stupid idea that was about to change my life.

[1] The games teachers at our school knew they had an important stereotype to conform to.
[2] Nobody ever actually said, “And the winner is… Pete Brown!” for the first three, unfortunately.
[3] The other prize I won was for painting some Citadel Miniatures TM Warhammer TM Chaos Warriors TM at a model making competition in Rotherham when I was thirteen. But that’s another story – one I have no intention of writing.

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I’d like to thank my mom, Jesus, Barry the Barrel, Brew Dog, the Portman Group…

Last night I was named Beer Writer of the Year at the British Guild of Beer Writers Awards. Hops and Glory was awarded the Budweiser Budvar John White Travel Bursary, and this – with a nod to my writing in other fields – put me through for the top gong.

The fact that, for the first year, the award was renamed in honour of Michael Jackson, makes winning it doubly special to me.

I started writing about beer about six or seven years ago. I rant a lot, get frustrated, bore people sometimes. Well quite a lot, actually. I sometimes ask myself why I stepped off an executive career ladder – a ladder I was climbing reasonably quickly – to do this. I earn a fraction of what I used to, and an even tinier fraction of what I’d now be earning if I’d stayed on that ladder. But you might also ask why – when we read about binge drinking media shite, closing pubs, neo-prohibitionism, industry in-fighting, political wankery and all that – why so many people are picking up a pen or sitting down at a keyboard and deciding they want to write about beer – often in return for no money at all.

I fucking love beer. I love the taste and appreciation of it. I love the society and culture that surrounds it, and the way it influences society and culture more broadly. I love the history of it, and what that history tells us about ourselves. I love the way it’s an international standard, a universal signifier of unpretentious sociability. I love the fact that I’ve made scores of genuine new friends through it – many of whom I’ve yet to meet physically. I love the way it inspires and intoxicates me – both in a physiological sense and an intellectual one.

I never, ever regret giving up a career in advertising – which, if you do it well, makes people a little less happy with what they currently have as part of making them want something shinier and newer – for a career in beer – which, in the vast, vast majority of lives it touches, makes those lives warmer, richer and smilier.

The rule last night was that nobody wins more than one category, so once Hops and Glory won, I was out of the running for stuff like blogging and trade press. Maybe if things were different I’d have picked up an award for this blog, and maybe I wouldn’t. It’s irrelevant. What did happen is that Woolpack Dave was runner up in the online category, and Young Dredge won it for Pencil and Spoon. I’m absolutely delighted for both of them. Mark Dredge emailed me out of the blue about eighteen months ago and said he wanted to be a writer and did I have any advice. I gave him some advice and he took it. And then he attacked his task with astonishing energy and dedication, and grew as a writer incredibly quickly, and did some new things no one has done before, and made electronic media his own. Mark and Woolpack Dave started blogging on the same day as each other, a little over a year ago. Now they’re recognised asthe leaders in their field. The world of beer writing can never again be complacent or self-satisfied – something it was accused of regularly when I was new to the game. (Every now and again I still think of myself as a newcomer to this. But increasingly, six years feels like several lifetimes in beer writing years).

It’s a privilege to be able to write about what I fucking love and have people read it – whether that’s in a book, a magazine or newspaper or on a blog. I love the interplay of different media and the way I have to change my writing style between them. Blogging makes me a better book writer, which makes me a better journalist, which makes me a better blogger – or maybe it’s the other way round or back to front.

Today I’m going to write my final column of the year for the Publican and then I’m going to a beer festival and/or a bar and I’m going to exceed the recommended daily guidelines of alcohol unit intake. I’m going to get drunk. I’m going to get shitfaced, sozzled, pissed, bladdered, cunted, wankered, soused, and most of the other 1346 words for inebriation I’ve collected over the years. I’m going to have a good time doing it, and the people who are with me are going to have a good time too – a better time than they would if they stayed in and watched the telly. And when I come home with The Beer Widow and a few mates, I’m going to share with them a bottle of Bass Kings Ale, brewed in 1902, which cost me over a hundred quid, and I’m going to marvel at the miracle of beer all over again.

And then on Monday, I’m probably going to weigh in about Portman banning Tokyo* and how they haven’t really, or moan about the fact that because I’ve bought books on beer from them in the past, Amazon just emailed me telling me I might be interested in a book called ‘Reducing Harmful Drinking’, and off we’ll go again.

Have a bibulous weekend.

Cheers

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Exclusive… the Christmas number one

It may still be three weeks away, but Christmas is already here in our hearts. People are recommending Hops and Glory as the ideal gift, and I didn’t even pay them to. Twitter is alive with the sound of people debating the best Christmas beer.
And our thoughts turn to who is going to be Christmas number one.
It’s always a contentious issue. It carries more weight than the number one at any other time of the year – not commercially perhaps, but symbolically.
And this year, I have the preview on who it is.
At this stage I should point out that I’m not talking about the pop charts. No one gives a shit about that any more. The drama has gone out of it. It’s all been downhill since Jonah Lewie.
No, I’m talking about the new obsession, the all-important wikio rankings.
I may have given the impression over recent weeks that I’m quite obsessed by wikio rankings. If you believe that, you fell for my irony-laden trap. I don’t care. Honestly I don’t. Not about my position personally.
The only reason I’m writing about them now is that wikio ask a different blogger each month to reveal the latest monthly rankings in advance of official publication. This month, they asked me again. So I’m in a position to tell you who is the number one beer and/or wine blogger over Christmas, with no jealousy or bitterness whatsoever.
And so… *drumroll* step forward Brew Dog. You are the blogging world’s Cliff Richard.

1 Brew Dog Blog (=)
2 Pete Brown’s Blog (=)
3 Pencil & Spoon (=)
4 Tandleman’s Beer Blog (+2)
5 The Pub Curmudgeon (-1)
6 Woolpack Dave’s beer and stuff blog (-1)
7 Spittoon (+1)
8 The Beer Nut (-1)
9 Jamie goode’s wine blog (+6)
10 Stonch’s Beer Blog (=)
11 The Wine Conversation (+3)
12 The Bitten Bullet (+1)
13 Bibendum Wine (-2)
14 Reluctant Scooper (+3)
15 Real Ale Reviews (+3)
16 Brew Wales (-7)
17 Called to the bar (-5)
18 Taking the beard out of beer! (+7)
19 Tyson’s Beer Blog (+3)
20 Impy Malting (-4)

Ranking by Wikio

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ARE LESBIANS HAVING SEX WITH THE MEMORY OF DIANA?

Carol Vorderman getting pissed up and going completely fucking apeshit, making our town centres no go areas for normal people, earlier today. At least, that’s what she would be doing if the story she is promoting was actually true.
The above headline, created by an online Daily Mail random headline generator, has finally been trumped by the real thing. Today’s Mail carries a story headlined ‘Average Briton drinks 84 times their bodyweight in alcohol‘.

But that’s not the best bit. The best bit is:
Soaring levels of binge drinking mean that many Britons drink an average of 3.7 pints of beer, or 8.5 large glasses of wine, each week.

That’s right. Half a pint of beer a day is now binge drinking on Planet Hate.
In the real world, this equates to 12.5% of the government’s approved definition of binge drinking.
The article goes on to say that if we’re not careful, we might consume a shocking 1000 calories a week through drink. If we do no exercise at all, this somehow means that this amount (which in the real world equates to 5.7% of an average adult male’s weekly calorific intake) will make us put on an extra pound every 3.5 weeks. No idea how that gets worked out with no reference whatsoever to the other 94.3% of the recommended calorific intake. Or what point they’re trying to make.
The article also repeats the lies about soaring alcohol consumption and ‘soaring levels of binge drinking’ in the UK, which the government’s own figures – along with those of every body that studies this area using proper research techniques – explicitly contradict.
The headline is factually incorrect too – it refers to 11,800 pints over 60 years – which are on average between 3.5 and 5% alcohol. Yet states – or implies – it’s referring to pure alcohol. Apart from being wrong, it’s meaningless. Any liquid the consistency of water weighs pretty much the same. By point of comparison, it’s worth noting that a glass of orange juice every day would weigh exactly the same, but would contain an additional 438,000 calories over the 60 year period.
This horse poo is part of the launch of something called the ALculator by Lloyds Pharmacy, launched by Carol Bloody Vorderman. It’s just wrong, wrong, wrong. But people read it and believe it – just see the comments at the end of the piece. Please join in giving it the ridicule it deserves.
Next week: how real ale drinking homosexual asylum seekers are turning house prices gay.
The official definition of a binge is double the recommended daily unit limit – which is 3-4 for men. Half a pint of beer is one unit. The recommended calorific intake for an adult male is 2500 a day, or 17,500 a week. Half a pint of average beer contains 105 calories, whereas the same volume of orange juice contains 124.
UPDATE:
I posted some comments (which were not published) to the Mail’s website this afternoon, and posted this blog around 8ish. At 9.56pm the Mail story was amended. References to ‘soaring binge drinking’ have been removed. The link between 3.7 pints a week and binge drinking has been removed. The reference to increasing alcohol consumption has been removed. The statement that 1000 calories a week can lead to a weight gain has been removed. Basically, there’s no substance at all left to the story. It may not be my efforts or all those who retweeted links to this post that are responsible. It may be some of the comments that were printed below the story. But somebody, somewhere, has had an effect and these lies and distortions have been taken down. We CAN stop this nonsense being perpetrated.
Depressing thing: in the comments, more than one person has read this piece of Daily Mail scaremongering, disagreed with it, then blamed the distortion not on the Mail, but on New Labour – who had nothing whatsoever to do with the story! Brainwashing still works long term 🙁

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Beer Tickers – A Loquacious Film Review

As a writer, there are many other writers I admire and appreciate.

Sometimes I just enjoy them, other times I’m deeply envious of them. I can savour the wonderful lyricism of, say, Arundhati Roy without even thinking about my writing because it’s so different from anything I would ever do. But one writer I wish I could simply be is George Orwell. I will never, in all my days, be one hundredth of the writer he was, but he shared many of my ideas and beliefs about the world at large and about how to write in particular.I quote him several times in Man Walks into a Pub because it’s a book I wish he had written before me. But then, he didn’t need to – being Orwell, he said everything worth saying about the pub in a short essay, The Moon Under Water. (Arguably the only truly unforgivable thing Wetherspoons have ever done is appropriate that name.) As a piece of writing it is simple perfection. If I’m feeling sentimental and it’s one of those evenings where I’ve made the fatal transition from beer to whisky, I can literally read it and weep.But I’m wandering off the point – something Orwell would never do. And going on too much. Ditto.The reason I brought up Orwell was that he also once wrote:We are a nation of flower-lovers, but also a nation of stamp-collectors, pigeon-fanciers, amateur carpenters, coupon-snippers, darts-players, crossword-puzzle fans. All the culture that is most truly native centres around things which even when they are communal are not official – the pub, the football match, the back garden, the fireside and the “nice cup of tea”… It is the liberty to have a home of your own, to do what you like in your spare time, to choose your own amusements instead of having them chosen for you from above.But one hobbyist Orwell never had the dubious pleasure of encountering was the beer ticker.Hobbyists today are nerdy, and the only areas it’s socially acceptable for blokes to be nerdy about are cars and football. If you can name every player in England’s unsuccessful 1970 World Cup side, or talk knowledgably about the engineering perfection of a Maserati, you’ll get admiring nods from other blokes, and even women will roll their eyes with an affectionate “ah, you guys” shrug.But thanks to the hoary CAMRA socks-and-sandals stereotype, claim an interest in beer and blokes and women alike will start to edge away and make excuses.It’s fascinating how contextual this stereotype is. For about two years now I’ve worn a beard and long hair. If I’m working in an ad agency, people think this makes me look cool – they simply assume I’m one of the creatives.But in the beer world, the exact same look is increasingly uncool – people tell me I’m “starting to look like a CAMRA member”. With CAMRA’s membership having doubled in the last ten years, the average CAMRA member increasingly looks no different from anyone else. But they don’t mean that. They mean I look like the stereotypical CAMRA member.The beer ticker. And whatever your views on that, it’s not meant as a compliment.Within the beer world, tickers are the people even the saddest geeks can look down on. Adult life is merely the school playground writ large, and tickers are the snivelling, emphysemic, half-blind larvae that the most bullied kids in the school – the fat kids and the ones with sellotaped national health glasses and Oxfam clothes – turn on with joy when they realise there is in fact someone one rung below them. We all recognize that part of our interest in beer is driven by a nerdish tendency, and that’s not something we like in ourselves. And when we find that someone is inarguably more nerdish than we, they become an outlet for all the pisstaking and antipathy we’ve ever received. It was the tickers those people were suspicious of, or bored of, or regarded with pity and condescension – not us. We merely channel their disdain to its rightful target.Except now someone has gone and made a film about them.Surely that’s just not fair. It should be a film about the broader appreciation of beer. It should be a film about how great beer is and why more people should take an interest in it. Surely if you focus on the tickers no one will go and see it? And those who do will simply have their prejudices about beer nerds reinforced?The thing is, if you’re a filmmaker who’s keen to shine a light on little-known, entertaining and intriguing corners of the British psyche, tickers are – say it – pretty interesting.Phil Parkin is an independent filmmaker who lives in Sheffield. One day he was drinking in the wonderful Hillsborough Hotel. There’s a brewery in the cellar, where the phenomenally talented and hugely underrated brewer Stuart Ross pretty much does as he pleases and makes it up as he goes along, continually creating new beers. And every week, the tickers descend. Sheffield competes with Derby for the title of ticker centre of the universe – some of the biggest names in ticking are regulars at the Hillsborough and the nearby Fat Cat and Kelham Island Tavern. As soon as Phil had asked what they were doing and had it explained to him, he had his next project.Phil’s method of filmmaking is what social anthropologists call ‘participant observation’. He lived among them, like that woman out of Gorillas in the Mist, becoming accepted by the tribe.What emerges is a warm, funny, and amazingly non-judgmental portrait of a hobby Orwell would have been quite proud of – perhaps even indulged in. The principles are explained with disarming simplicity ‘you find a beer, you drink it, you tick it’. What could be easier?And rather than coming across as unbearable nerds, the characters do make fascinating viewing. Mick the Tick – the man who allegedly invented the hobby and gave it its name thanks to its easy alliteration – is a deeply likeable character, like a cuddly, benign bear. The Beer Widow has a special designation for people she has fallen in love with and wants to protect from the world and care for. She talks about keeping them in a special luxurious room in the cellar wrapped in cotton wool and feeding them biscuits and soup. So far we’ve got Bill Bailey, the band Lamb, and psychologist and thinker Eckhart Tolle down there. Mick the Tick is the latest recruit.Dave Unpronouncable is deeply fascinating – a natural in front of the camera, articulate, intelligent and surprisingly normal looking – at least for the first half of the film – but there are clearly kinks and complications to his character.There’s a story going on with him through the making of the film that we never quite get to the bottom of.Brian the Champ – the king of the tickers – is probably the closest to what we would imagine a ticker to be, but he has a wife who indulges him and a pleasant suburban house, and you share his excitement as he sets off for the Great British Beer Festival to mark a momentous tick in his book.I have to declare an interest in that I met Phil several times while the film was being made, and he’s become a mate. I provided him with a lot of the historical context, and pop up in the film showing him round the Museum in Burton.One time we met in the Rake, and he seemed to be taking a long time sending a text message. I became suspicious.“You’re ticking aren’t you? You’ve gone native. You’ve become one of them.” This was ticking 2.0, ticking invisibly, with minimal risk of losing your social status.This brings me to my only criticism of the film – the definition of its narrative. Phil spends as much time in front of the camera as behind it, and very charming he is too. The film is his personal journey into the world of ticking (which I was fortunate to witness). That’s a great construct, but the arc of Phil’s journey doesn’t quite make it on film. It’s as if he can’t really decide whether this is a story about him or about the tickers he meets. There’s no real exploration of his motivation for doing it, or what he was trying to discover or prove, other than that it’s a great topic to make a film about.But as I said to Phil after watching an early cut – it made me thirsty, and it made me want to spend more time in Sheffield, and it made me proud of my involvement in the beer world. And it made me think differently about tickers. I won’t be starting any time soon – despite the fact that, apparently, I’m starting to look like one – but the tickers featured in this film at least are not the Aspergers stereotypes other beer enthusiasts enjoy looking down on.You can find out more about the film and watch a trailer here. I’m not sure whether or not it will recruit more people to the cause of great beer, and some will see it as a missed opportunity for that. But that’s not what it’s about. It’s not about beer – not really – it’s about people. And in that respect, it is a very successful film indeed. And anyway – it’s got a bright, young, ambitious filmmaker all passionate about the beer world. Who knows what he’ll do next?There’s a public screening of the film at the Showroom in Sheffield at 8pm on 15th December. Tickets are available through the Showroom box office.

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The Great Christmas Beer Hunt

I could rant about this but I’m not in a ranty mood, so instead I’ll make a simple plea:

Around this time if year newspapers and magazines are full of festive food and drink coverage. Publications like Sainsburys Magazine tell you where to get your ‘wine and fizz’ for Christmas as if no other drinks exist. Observer Food Monthly lists “Forty Festive Wines’ without telling you why any of them are more suitable for Christmas than any other time of year, without giving any food matching tips or anything.
And as every year, there are countless Christmas and winter ales being produced by brewers across the country and the world, and they’re getting no coverage at all.
It just doesn’t make sense. Our foodie culture is rightly getting more interested in seasonal produce. Beer is emphatically seasonal. You’d think it would be a no-brainer for any food and drink coverage. But as far as I can see – nothing.
So my plea is this. If you see any newspaper or magazine coverage of winter/Christmas beers, can you let me know where and when you saw it?
Cheers.