Author: PeteBrown

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Book Review: London Pub Reviews

Dunno why, but I’ve been doing one or two pub reviews on here recently, so I thought it was about time I sang the praises of this book.

For a while I’ve been wanting to have a go at doing pub reviews a little differently, trying to evoke the atmosphere and character rather than rigidly evaluating the food and drink selection. After all, ‘atmosphere’ and ‘my kind of place’ are, in survey after survey, the main reasons people give for choosing a particular pub. Paul Ewen, author of the deceptively dull-sounding London Pub Reviews has beaten me to any notion I might have had about reinventing the pub review. If the dull, plodding, workmanlike-yet-practical Good Beer Guide exists at one end of a scale, Ewen, a Kiwi living in London, has pegged out the other extreme.

According to the blurb, ‘although wanting to follow the Kiwi tradition of working in English pubs, he was thwarted by a complete and utter lack of social skills, forcing him to write about them instead’.

And how he writes about them.

His warped vision often nails a pub’s character completely: the Dublin Castle in Camden reminds him of the alien bar in Star Wars, an observation affirmed by “the pierced faces, weird clothes and outrageous hair styles of the Camden locals”.

Each review ends with him being forcibly ejected from the pub. In the Holly Bush in Hampstead, this is precipitated by Liam Gallagher walking in, inspiring our hero to climb on the table and shout “I’M ON STAGE, I’M ON STAGE, I’M ON STAGE NOW!”

In the Jeremy Bentham, a university pub, he approaches the blackboard advertising the day’s specials and begins an impromptu lecture, attempting to keep order by yelling and hurling beer glasses to the floor.

For the first few reviews, you’re wondering if this man, Dom Joly-style, really did go to these pubs and do these things. He was in there, as his descriptions attest, and he does enjoy his real ale. (And the Bentham piece was originally commissioned for The Times Higher Education Supplement by my mate Steve Farrar. When Paul sent Steve the invoice, it included the itemised cost for the smashed glasses.)

But as the book progresses, we take off through the beer glass and into a world that Alice would recognise if she had been a Camden bag lady on a Tennents Superdiet.

In Effra at Brixton, the bar person is working the pumps “like a submarine engine room attendant, darting here and there pulling levers and plugging holes.” Paul’s small round table is “shedding its varnish like skin”, and a sign advertising the daily special – Jerk Chicken – reminds him how often he was called “jerk”, “chicken” and indeed “special” during his formative years.

In the Prince of Wales on Clapham Common, “My table was covered by a strange, grey, cocoon-like coating, as if it were soon to emerge as a more beautiful pub table.”

At the Half Moon in Herne Hill, the flowery pattern on the carpet comes to life, unties his shoelaces and empties out the contents of his satchel (yes, he carries a satchel).

A secret passage at the Eagle in Battersea Park Road leads him to the secret underground lake where custard comes from.

By the time we get to the King’s Head in Tooting, he’s carrying his disembodied head under one arm, which hampers somewhat his attempts to catch the rabbits that infest the pool table, mocking him from the pockets.

All this, and he still makes you want to visit the pubs in question.

The review on the cover, written by Toby Litt (another of my favourite writers) says it all in one brilliant sentence: Ewen has created the ‘Campaign for Surreal Ale’.

Marvellous. Buy this book. Make an unhinged Kiwi bastard happy. He deserves it.

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The Yin and Yang of JD Wetherspoons, part 3

My first post about JDW was a glowing account of their last national real ale festival. My second post about the chain was a scathing attack on one pub’s out-of-control security thugs. For a brand that is supposedly consistent (whether you like it or not) across its 600-odd outlets, Wethersopoons really does offer both extremes of the pub-going experience.

Yesterday we see-sawed back to the good end. I went in my local branch, The Rochester Castle, for a quick pint, saw a beer from the Orkney Brewery (whose Dark Island Reserve is the past beer I’ve tasted in years) and tried a pint. It tasted like it had been diluted with tonic water and lemon, and had a very odd texture. Knowing how experimental Scottish brewers are just now, I had another sip. An assertive summer beer? No. If it was meant to taste like this it was a foul beer, and I didn’t think Orkney capable of that.

I hate taking pints back to the bar. Eight times out of ten some newly-arrived adolsecnet antipodean barman will take a swig, say, “tastes alright to me,” and you’re in a battle of wills then. It’s worse for me now, because a little demon pops up and suggests I point out that I’m a beer expert – which I am – but I still sound like an utter wanker if I say so.

But this one had to go back. I explained to the barmaid that it simply didn’t taste right. She didn’t ask for any explanation. She didn’t taste the beer herself. She didn’t say “well no-one else has complained”, or any other of those passive-aggressive, anyone-who-says-the-customer-is-always-right-must-be-an-arse phrases. She took my pint off me, set it carefully aside, and immediately took off the pump clip of the beer in question, taking it off sale. She asked me what I’d prefer instead, served me a fresh pint, then took my dodgy one to the bar manager.

This is only what you’d expect from any decent pub. But I confess it’s not what I expected from Wetherspoons. Deeply impressive. To redress the schizophrenic karmic balance they seem to maintain in the market, this probably means I’ll be murdered next time I go in.

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From the sublime to the Ridiculous: The Piss Poor Pub on the Park, Hackney

Nice facade. Shame about everything else.
Each of us who cares about beer and pubs has a duty to warn the rest against the potential of being ripped off. After waxing lyrical about the Cricket Inn, I’m therefore compelled to bring attention to the Pub on the Park on London Fields.

It’s a great building in a perfect location, with a beer garden and terrace looking out onto the park, across which lies Broadway Market – a lovely place to get your ricotta and sun-blushed tomatoes if Borough’s a bit too busy. It attracts the shaggy-haired, ironically t-shirted artisanal bread-shopping crowd who love reading their copy of the Guardian while keeping an eye on the football, and markets itself accordingly: a charming array of mismatched furniture, and an excellent selection of ales and speciality beers on the bar as well as the premier league of ‘world’ lagers (you know the brands I mean, and I think most of them are decent beers. But if these are ‘world’ lagers, where do the other lagers come from? Space? Anyway, different topic).

So far so good – the perfect pub – until you order something to eat or drink.

They had Grolsch Weizen on tap. In bottle this is a stunning wheat beer, all the moreso for the low expectations you probably have when you see the word ‘Grolsch’ on the label. That’ll teach you to be snobby about big brewers. So I ordered a pint of it. The barman had never heard of it before. I had to point it out to him on the bar. He gave it to me in a Stella glass. Nice touch there mate. I also ordered a half a Leffe for my wife, which was also served in a Stella half pint glass. And then the world turned upside down.

“Seven pound seventy please, mate.”

“I’m sorry? I thought you just said it was seven pounds seventy for a pint and a half of beer just then!”

“That’s right. These beers are a little expensive, just over five pounds a pint.”

Over five pounds a pint is not ‘a little expensive’. It’s taking the piss. Even the Rake , often criticised for its pricing, wouldn’t charge this much for these beers, and their staff warn you in advance if you’ve ordered something super-expensive. The only beers they charge this much for are those that are rarely available on draught, and beers that you shouldn’t be drinking in pints anyway becauise they’re above 7%ABV. By contrast, here were two premium, ‘speciality’ yet freely available commercial brands, served in the wrong fucking glassware by a man who wasn’t even aware that one of them was sitting on the bar he stood behind for six hours a day. I had been well and truly robbed.

After all that, the beer was deeply average. It tasted like Hoegaarden, not Grolsch Weizen, and these are two quite distinctly different wheat beers.

I then made the mistake of ordering food. All the main courses were basic pub fare and every dish came with chips. In this situation, with nothing better to choose from, I usually order fish and chips. I’ve been lucky recently, getting fish in pubs how it should be: crisp, golden, light batter, soft flaky fish inside.

In Pub on the Park, my luck ran out. My fillet of fish – if indeed that’s what it truly was – had clearly spent much, much longer in a cardboard box in a deep freezer somewhere than it ever had in its native aquatic environment. The batter was thick and wooden, the deep, shit-brown colour of the last thing in the bottom of a deep fat fryer that hasn’t been cleaned for a long time. There was a thin layer of something white and runny inside it. The chips were carboardy oven chips.

I would have complained if I thought this was in any way below the standard they aimed for, but as our plates were wordlessly plonked in front of us by a scowling woman who answered our query about salt and vinegar by pointing to a table on the other side of the pub, where we had to go and fetch our own knives and forks and salt, vinegar and sauce, all in those unbranded, cheap, nasty little plastic sachets you only ever see in dives and dirty motorway service stations, I knew there was little point.

The whole meal was inedible. Given that I left it, any server who cared one shred about what their customers thought would have asked me if the meal was OK. As the scowling woman came back to collect our still-full plates, she didn’t say a word.

Pub on the Park is a down-at-heel, no-strings, back street boozer pretending to be a well-run, modern food and drink pub. Judging by how busy it was yesterday, it’s getting away with this deception. Don’t go there. Tell everyone you know not to go there. If this blog post changes one person’s mind about visiting this pub, and deprives it of the twenty quid I wasted in there, I’ll be happy.

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Food of the Gods: the Cricket Inn, Totley, South Yorkshire

Times are tough for pubs, no-one’s disagreeing about that. On Wakefield Road, between Barnsley and the village of Mapplewell, where I grew up, there are about seven pubs over four miles. When I was up there in July, five of them were boarded up.

Running a pub was never the post-retirement, easy option many people see it to be. But even today, if you put the work in, and you know what you’re doing, you tend to do OK. I’ve never, ever seen a pub that does great food and a fine and interesting selection of well-kept ales on its uppers. Never. Just a few miles from those ghost pubs outside Barnsley, when the Acorn lads took me round Sheffield we found pubs like the Hillsbrough Hotel and Kelham Island Tavern were packed to the rafters. We literally couldn’t squeeze through the door at the Fat Cat. These were clearly destination pubs that knowledgable drinkers had travelled to. The lesson for the local is that it needs to cast its net further afield.

While I was up north, Thornbridge took me to a pub I’d happily travel two hundred miles to for dinner – their latest aqcuisition, the Cricket Inn.

The pub is just outside Dore. Every northern town these days seems to have a village or suburb they proudly boast is home to the biggest concentration of twats – sorry, that should have said ‘millionaires’ – outside Knightsbridge. This usually means it’s where the local footy team and their WAGS park their sports cars and it-bags. Dore is Sheffield’s version, and the old animosity between Barnsley fans and Sheff Wednesday fans in no way influences my belief that local residents Chris Waddle and Carlton Palmer don’t exactly compete in the glamour stakes with Wilmslow, where there is a profusion of far bigger twats.

But we don’t really do that kind of glamour in South Yorkshire. The Cricket stands at the foot of a low range of Pennine foothills, dry-stone-walled fields rising gently to the bruise-coloured ridge. Even when the drizzle is siling down – and you have to assume it will be – the view is diverting.

Inside, the pub is a warren or rooms with stone floors, oak beams and muted, earthy Farrow & Ball-style paints. A mixed collection of solid tables, chairs, benches and old school pews create an informal, relaxed ambience, and the clincher is that you can’t book a table anywhere. This isn’t a gastropub, just a pub that does really good food. And how.

The Thornbridge lads – Simon the CEO, Alex, Paul – had mentioned that we might be popping in. Chef Jack, had replied, “Oh, I’ll put a few snacks on for you then.” So we didn’t need to look at the menu, but I did anyway. It’s a big A3 sheet. One side manages to give a brief history of the pub before going on to explain the principles of beer and food matching and supply a few recommendations, all in less than about 200 words. The other side boasted big wooden sharing platters, British Isles seafood, home-made pies, Sunday roasts and sandwiches, many with suggested pairings of Thornbridge ales and other beers.

And then Jack appeared with a piece of slate about a foot and a half square. “A few snacks” were piled upon it: pork crackling, sausages, gravy, fries, olives, anchovies, prawn skewers… there was far too much here for one table. And then another, identically-sized slate arrived, groaning under ribs, potato wedges, monkfish cheeks, steak & kidney & cow-heel pie, home-made black pudding.

Simon leaned over to me. “You’ve got to watch Jack. He’s a feeder. I come in here to catch up with some work and at half nine in the morning he’s sidling up going, here, see what you think of this, or try a plate of this.”

The ribs were marinated in a sticky, viscous mix of Thornbridge’s strong, inky St Petersburg porter, orange juice, Demerara sugar, brown sauce, garlic, ginger and Tabasco. The meat slid form the bone.

I ate the first nice Scotch egg I’ve ever had. Jack spends an hour making them. It’s his ambition to make a Scotch egg that’s still soft in the middle. Given that you have to boil the egg first, then shell it and cook it again inside its meat casing, this would require a considerable degree of skill. He’d almost managed it with this one.

And then, the food of the Gods. Simon, who is right about most things, made a colossal mistake when he described the piece de resistance as a Sheffield fishcake. As any fule kno, it’s called a Barnsley fishcake. We were both in a good mood, so we compromised and christened it a Yorkshire fishcake. (It’s listed on the menu, diplomatically but a little boastfully, as the ‘Cricket Inn fishcake’.) If you think a fishcake is a small disc deep-fried in radioactive orange bread crumbs, you had a cruelly deprived childhood. If you think a fishcake is all salmon and herbs mixed up and pan-fried, you’ve been spending too long in middle-class gastroworld. A Yorkshire fishcake – a true fishcake – is a collection of fish offcuts sandwiched between two large scallops of potato, covered in crispy golden batter, served with mushy peas – like it was here – or curry sauce. It was the taste of my youth. Here it was matched with Thornbridge’s Lord Marples, a delicious caramel colour and a deep, sweet flavour. Together in the mouth, this sweet maltiness combined with the fish to invent new flavours and textures, spiralling off into heaven.

This was good, honest pub food, the kind of dishes that have been served for generations, but treated with the same degree of dedicated perfectionism you’d expect in a top restaurant. What better template could there be for today’s pub? The Cricket is not the first pub I’ve encountered with this philosophy – the Marquess in Islington springs to mind very quickly – and every time I find a pub like this business is booming, and the walls are filling up with awards and adulatory press clippings. This is how you do it. It’s not the only way to beat the crunch, but it’s a very joyous one.

We did as much damage as we could to the slates before begging for them to be taken away. I heaved a sigh of relief, which turned into a whimper of fear as chef Jack reappeared with a big apple pie in a traditional 1940s white tine dish with blue piping, nine different ice creams, a Bakewell pudding, crème brulee, a chocolate sponge and a treacle tart, and a cheese plate. And lots of custard, “Cos everyone loves custard,” he said, as he covered the last available inch of the large table top.

Thornbridge were already the most exciting and innovative young brewery in England. As they continue to seek out pubs they can do this to (the pub company, BrewKitchen, is a joint venture with Richard Smith, Sheffield’s most celebrated cook), they look like raising the bar on what a pub should deliver too.

You could almost forgive them all for being Wednesday fans.

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Consumer Journalism, Gonzo Style

In the mid-nineties I used to dream of writing for Loaded magazine, with no trace of shame or furtive embarrassment. Sure, one month they’d have perky Jo Guest on the cover, or Liz Hurley in her underbashers, but that would be interspersed with Richard E Grant, Frank Skinner or Michael Caine. Scantily clad women were just one of the laddish obsessions featured, and whether it was regular features such as ‘greatest living Englishman’ or ‘drop me bacon sandwich’, comic consumer journalism triumphs such as the Crisps World Cup, or in-depth pieces of travel writing such as the time they endured several days at Mardi Gras without sleep or drove a Land Rover through the Amazon basin, there was a Gonzo intelligence and wit at work that lifted it far above the simple tits, vomit and football formula that lads mags have become. They were living the dream, inspired by Hunter S Thompson’s Gonzo journalism, they became part of the stoeis they covered, making laddish behaviour almost heroic. Around 1999 I realised I was embarrassed to be seen reading it in public – and ‘reading’ had become a bit of a euphemism, as the long articles had disappeared – and I stopped buying it.

Until now. Six weeks ago, I lived the dream and spent an afternoon getting pissed with the editor of Loaded.

The occasion was a return to the old days of inspired consumer features: the Credit Crunch Booze Test. With a looming recession, we have to economise, so what are the best budget and supermarket own label beers? The brief was to do a proper, professional tasting job, which I tried my best to deliver. The results are in the August issue, which actually came out at the beginning of July and is due to come off the shelves any day now – I missed it the first time I looked because it’s not listed in the contents section, but you can find it on page 28-29, between an article on pandas and a feature on inflatable pubs. (You can easily spot this issue on the newsagent’s shelf – it’s the one with a naked lady cupping her bare boobs on the front). In fact here it is:

The editor, Martin Daubney, really knew his way around beer and gave me a run for my money in pinning down the various tasting notes – or lack thereof. Buy the mag for the full results – all I’ll say is that if I ever find myself on my uppers with less than 60p to spend on my beer, I’m off to Lidl. They really do pull it out of the bag. Loaded seems to have had a modest revival – it has proper articles, and interviews with actors such as Christian Bale and James MacEvoy. It is still what it is – the literary equivalent of Carling – but next to Zoo and Nuts it’s like the Economist.

After we tasted the beers Martin asked me if I’d mind moving on to vodkas and whiskies, and the afternoon started to unravel. I needed something to wash away the taste of Aldi’s ‘Voska’ (our expert commented “as they say in Withnail and I, even the wankers on the site wouldn’t drink it.’”), and we repaired to Loaded’s local for a very fine pint of London Pride.

Remembering the heady days of Loaded’s youth, I was excited about where things might go from here. It was a Friday, it was late afternoon, and we were already well-oiled. Would the rest of the gang join us after putting the feature to bed? Perhaps they’d invite along some page three girls. Maybe on the spur of the moment we’d charter a helicopter and fly to Amsterdam for last orders. Literally, anything might happen. But I could never have predicted what did. In a sad sign of the times, Martin looked at his watch, said, “Shit,” downed his pint and profusely apologised. He was running late for some market research focus groups about the magazine, which he had to attend that evening.

I’m just glad Hunter S Thompson didn’t live long enough to see such a thing.

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From Oak(well) to Mighty Acorns. Or something.

This is a long post – a magazine article rather than blog entry, but I can’t think of anywhere else to sell it to and don’t really have time, so I’m putting it here instead. No-one’s saying you have to read it all…

Allegedly you can’t trademark a place name as your brand. When I wrote Three Sheets to the Wind, I always wanted to finish my round-the-world journey back in my home town of Barnsley, and compare what I’d seen with good old Barnsley Bitter, once a legendary brew, bought and killed by John Smith’s in the 1960s because, if you believe the locals, it was too good to have as competition.

Such is the scale of the cask ale revival that, when I was planning my Three Sheets trip to Barnsley in early 2005, Barnsley bitter was not only back; there were three different beers claiming to be it. One of them was brewed in Blackpool, which made me doubt its authenticity somewhat. Of the other two, one was brewed in Wombwell, a village on the other side of town (or t’tarn) from where I grew up, and one was in the crumbling old Oakwell Brewery, in the shadow of Barnsley FC’s famous ground, the site of the original Barnsley Brewery. I chose to write about the Oakwell one, because it seemed to have the most authentic lineage. The owners of the brewery were extremely secretive. The passage in the book was fine, but uninspiring. The beer was good. I’ve heard nothing about the Oakwell brewery since.

It’s now looking like I backed the wrong horse.

The Wombwell-brewed Barnsley Bitter came from the Acorn Brewery. What I didn’t know then was that Acorn was very new at the time, and had links with the Blackpool one, which was by then defunct. Since I wrote the book, Acorn has gone from strength to strength, and the first part of my 40th birthday jaunt north was to help them celebrate their own fifth birthday, on 4th July.

Me and Dave, the head brewer at Acorn. A vast majority of brewers in the north are called Dave.
I arrived at the brewery to be greeted by a smell of warm meat and pastry that made my stomach growl. A proper northern buffet had been laid on in the bar, the centrepiece being Percy Turner’s pork pies from Jump.

You may think you know what a pork pie tastes like. Not if you haven’t been to Barnsley, you don’t. Pork pies are to Barnsley what truffles are to the Dordogne. There is no shortage of pork pies in Barnsley, but according to the Acorn lads there had been Soviet-style queues outside Percy Turner’s shop that morning, and this was not uncommon. These were real pork pies, the pastry crumbly, the jelly runny, soaking into the soft, salty, peppery, still-warm meat as it fell apart and melted on your tongue…

Oh yes, we were supposed to be talking about the beers.

The buffet had been laid on because there was a bit of a tasting session happening, and it soon became apparent that I was leading it. I didn’t mind – I do a lot of tasting session now and am good at winging them, but this one was different: the attendees were, in the main, northern publicans. Publicans tend to be an opinionated bunch. They’re not accustomed to sitting quietly while other people speak. And northern publicans – well, I crossed one once. I shan’t be doing it again.

First came Rob from the Gatehouse, Barnsley town centre’s best pub. Rob looks a bit like how Norris out of Coronation Street would look if he was suddenly kidnapped from Weatherfield and dropped in the jungles of 1960s Vietnam, and learned to survive on his instincts and by acquiring the ability to kill with his bare hands. Rob’s pub is one of the busiest on Barnsley match days, and yet he makes no secret of the fact that he’s a Sheffield Wednesday fan. His hard gaze can make you void your bowels involuntarily. And that’s when he’s in a good mood.

But behind Rob came a man who clearly saw himself as the King of the Northern Landlords. He’d even brought an entourage.

Tetley Dave runs the Shoulder of Mutton in Castleford. He worked at Tetley’s for decades before taking over the pub, and fought a ‘Battle of the Alamo’ when the pubco who owned it wanted to shut it down. The Acorn lads had been talking about him coming, and I guessed it was him when his voice boomed from the corridor, insisting that the only beer he’d ever stock permanently was Tetley’s, but that if he was impressed, he may well take a cask of Acorn back with him. He took control of the room as soon as he entered – a tall, man with grey, close-shaved hair and glasses, wearing the trousers and waistcoat of a grey three-piece suit, a white shirt open at the neck. He found a seat that was closest to both me at the front, and Turner’s pork pies down the side. “Nice bit o’ growler, this,” he mumbled between mouthfuls of his third one.

Tetley Dave was accompanied by a man in his late forties with bubble-permed peroxide hair. He drove a RAV-4, the kind of vehicle you normally see covered in the livery of local pop hit radio stations. “He’s a professional entertainer, him,” said Tetley Dave, jerking his thumb at the man who stood grinning inscrutably, leaning against the wall. “He lives wi’ us.” A better writer than me, someone like Jon Ronson (who I was introduced to last weekend and who was, sadly, a bit aloof, perhaps because he took it the wrong way when I described his reading as ‘meandering’), would have been able to get to the story behind this. But I had beers to talk about that I hadn’t yet tasted, and more people were arriving, and the moment passed.

In the brief lulls between orations on the nature of beer, pubs and the universe (well, Yorkshire, and that’s practically the same thing) I managed to run through about five of Acorn’s beers.

Summer Pale was an extremely pale golden ale, white gold, with a floral and sherbet aroma and pear drops washing over the tongue.

Barnsley Gold had a citrus aroma with chewy, gloopy, caramel notes followed by a gentle bitterness.

Then onto Barnsley Bitter itself, a silver medal winner two years ago at GBBF. Combining the drinkability of a true session bitter with a dark richness, a hint of chocolate and red berry fruit, this is the kind of beer that Yorkshire does better than anywhere else.

So Acorn brew good beers. But they’ve been going beyond that. In 2007 they brewed ten different IPAs with different British hops. This year, they’re doing the same thing with American hops: the same basic beer chassis, a 5% IPA, with a different single varietal hop each month. I have to confess I’m a bastard for Cascade hops, I love them, the aromas intoxicate me on their own. So while the Liberty hop IPA was the new one, and Cascade last month’s news, I was guilty of flipping them around. The Liberty IPA was great, full-bodied and rich with the hops not shouting out, but creating a complex brew to savour. But the Cascade… it was a riot, a tropical fruit salad with papaya and citrus fruits. I’d say it had about 90% of the sheer hop hit and bold character of an American IPA, but at 5%, it was distressingly sessionable. The best IPA I’ve tasted since the lads from Stone came over earlier in the year.

This was the point at which I really gained my audience’s attention, and we talked about the legend of IPA, and my journey. One man – who had also arrived with Tetley Dave – took a very keen interest and questioned me on my Indian experience quite closely. I didn’t know who he was then, but Ian Clayton is a well-known broadcaster on ITV and a stalwart of the Yorkshire arts scene. “Oh, I write books as well,” he said at one point during the tasting, when I was talking about my IPA book. I did my best encouraging smile, ignorant twat that I am. Days later, Ian sent me a copy of his latest book. Richard Hawley calls it “beautiful”, Robert Wyatt “a magical roller coaster”, and Record Collector magazine thinks it’s “One of the best books about popular music ever written”. Half way through as I write this, I agree wholeheartedly with all of them. If you only buy one book this year, and you already own both of mine, buy Bringing it all Back Home.

Finally we tasted Old Moor Porter, full of fruit cake and liquorice, laced with vinous notes. I recently did a radio programme for Diageo about stout and oysters and this eternal match was fresh in my mind, so I thought my audience would appreciate the story of how porter was once the drink of the working man, and oysters were the food of poor people, and they just happened to go together in a sublime fashion. Ian nodded thoughtfully, but it was the chance Tetley Dave had been waiting for.

“I had ‘alf a dozen o’ them oysters t’other week.” He paused. “Only two o’ the buggers worked!”

I couldn’t let him get away with that unchallenged. “That’s it!” I said, “That’s who you remind me of. You look just like Jim Bowen!”

Suddenly, Tetley Dave was out of his chair, jabbing his finger at me furiously. “Don’t you mention that name in here! That bloke still owes me five hundred quid!”

As I doubled up with laughter, another no-doubt amazing anecdote slipped by, and escaped. Tetley Dave

Jim Bowen

After that it was time for Rob to leave. He’d enjoyed himself. You could tell this because, although he still looked furious, like he was about to punch someone out, he told us that he’d enjoyed himself.

As he neared the door, Tetley Dave, ever mindful of opportunities for his entourage, called out, “Hey, have you got any entertainment at your pub?”

“We will have if tha’ comes in,” replied Rob, and he was out of the door before Tetley Dave could respond, victory snatched at the close.

The best endorsement for Acorn’s beers is that Tetley Dave took away a cask of one of the IPAs in the back of the RAV4.

That night, the Acorn boys took me out drinking. Allegedly Sheffield has more different cask ales on tap at any given time than anywhere else in the country. We tried as many as we could, and stayed out until we started to fall asleep in our curries. We exceeded the government’s recommended daily intake of units, it’s fair to say. I’m keeping my diary clear for Acorn’s tenth birthday in July 2013.

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Put a little Berghaus in your soul

It was wet and cold in the middle of July, when the rest of the country seems to have had a lovely weekend, but the Latitude Festival, in a gorgeous, leafy park with oak trees centuries-old and a silvery lake, was the perfect end to two weeks of birthday celebrations. I think the sheep, dyed pink, and the punts on the aforementioned lake, were there just for the weekend, but apparently the rest of it is there all the time.

Since turning forty I’m convinced that my knees are going and I’ve started getting heartburn and my back aches, and I really like sitting down much, much more than I used to, but for four days it was splendid to meet friends I don’t see often enough and behave like a bunch of teenage lads. The ailments, if I’m honest, are probably due to too much beer for too long.

Latitude is the perfect destination for anyone who thinks Glastonbury has lost its spirit. Great bands and brilliant comedy were punctuated by strolls to the literature and poetry tents. You could even go and see Sadlers Wells doing a bit of ballet if the mood took you (it didn’t take me).

One of the nicest surprises was at the drinks tent. Alongside Tuborg lager (hey, it’s better than Glasto’s Budweiser) and Aspall’s cider were two ales I’d never heard of before, and both were mighty fine.

It turns out that Hektor’s Brewery is actually on site, in Henham Park, the location of the festival. They supplied two beers: Pure, a clean 3.8% golden ale with a lovely crisp, citrussy hop finish, and Scarecrow, a darker, richer beer at 5%, full-bodied and maltier but still with a delightful hop edge to it that suggests American hops have been involved somewhere along the line, though their website says it’s just full of English hops.

It was with mixed feelings that I took the news that every one of the festival’s five bars had run out of Scarecrow by Saturday afternoon – only half way through the festival. No more lovely 5% beer for me, but you’ve got a love that kind of emphatic endorsement from the youngest festival crowd I’ve ever seen. Up to that point, each time I was at the bar every single order included at least one pint of it, among the ciders and the lagers. I’ve no idea what the product mix was, but ale must have had a higher share than it enjoys in most of the high street pubs in whihc these guys usually drink.

By Sunday it was getting difficult to find Pure as well – they had some left at two of the bars buy Sunday evening. My mates started off drinking cider. After they tried the Pure, they never went back.
A couple of damn fine beers, enjoyed so much more outside, in front of the best bands currently strutting their stuff.

Thanks Latitude – see you next year.

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Beer writer in ‘self-indulgent post’ shocker.

In just over 24 hours I turn 40, and I’ll no longer be able to describe myself as a ‘young writer’ in any respect.

Never mind.

I got two good books out during my thirties, and completed a life-changing sea voyage that will be released as my third book, on the shelves before I hit 41. Maybe that will be the one that allows me to give up the day job and write full time. I doubt it, but hope is what drags a writer back to the keyboard day after day, for eighteen months, or two years, or four, or ten.

I got hit by the brainwave to write Man Walks into a Pub (though it didn’t have the cool title then – my publishers always come up with better titles than me) on 11th September 1998, two months almost to the day after my thirtieth birthday. This means my entire fourth decade – 25% of my life so far – has been devoted single-mindedly to the pursuit of trying to write about beer in a way that can entertain those who are already into it, but more importantly, to put beer in its rightful place in a broader social context, and get those who don’t currently read about beer to appreciate it more.

I guess I’ve had some success. I’ve sold maybe 30,000 books, between the two titles. I’ve got this blog, a few stuttering TV appearances, and some magazine features. Beer has become my life, and has given me a whole cast of new friends who I am so grateful to have met, and who I feel confident I’ll be drinking with for the rest of my days. I’ve been around the world twice, and still get a rush when I’m invited to a bar somewhere to see someone unveil a new brew they’re excited about, and want to try on an audience for the first time.

My first editor once told me they had Booker Prize shortlist authors who would kill for my sales figures. I’m sure that’s true, but mine are nothing to write home about. CAMRA now has 90,000 members. You’ve got to be passionate about beer to join CAMRA, and if every person who cared about beer enough to put their hand in their pocket every year to renew their CAMRA membership also thought my books were worth reading, well, I’d now be living mortgage-free and very happy indeed. For me, there’s nothing better than an afternoon in a beer garden with a pint of TT Landlord in one hand and a good book in the other, but for many, reading and drinking just don’t go together. Maybe I shouldn’t have slagged CAMRA off quite so vehemently in that first book – but someone had to.

No matter.

The last ten years have been a blast. And the thing that both writing and beer exploration have in common is that, as your dreams of being a professional footballer or rock god or fashion model (only one of these three was my dream) fall away as symbols of a youth that you suddenly realise you only ever had one go at, that wasn’t a rehearsal, that had no second chance at – both the craft of writing and the simple enjoyment of beer can only improve as you get older. You read more, you experience more, you know more. If you have your health, you’ve got the rest of your life, unless Alzheimer’s rears its head, to refine your craft, and your enjoyment. I hope I get another forty years doing what I’ve spent the last ten doing. At this age, it’s very comforting to think that, in stuff that’s very important to you, you’re still at the beginning of the journey.

Jesus. This is what Wonder Years would have sounded like if it hadn’t been put out of its misery once Fred Savage hit puberty.

Aaaaaanyywaaay. I get the horrible feeling that in the next few days I will be wishing I had deleted the above rather than posting it.

I’ve spent the last week of my thirties being quite self-indulgent, on a mini-beer-tour around the Great North of England, having a whale of the time. Various posts to follow on my experiences.

More importantly, I’m celebrating the ‘beginning’ of my life, upstairs at the White Horse, on Saturday, 12th July, from 7pm. Any reader of this blog – even the Anonymous Twat(s) who have no knowledge about beer and no meaningful life in the real world – are invited to come along and help me celebrate/drown my sorrows, so long as you play nice on the night. We’ve got some free beer – good beer – and when that runs out, there’s lots more excellent beer that you’ll have to pay for. For fuck’s sake, we’re talking about the White Horse!

If you’ve read this far, you deserve the free stuff.

Please indulge me and cut me a bit of slack – and I hope to see you there on Saturday.

Cheers,

Pete

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American Beers at the White Horse

Looks like I picked the wrong weekend to visit my folks back in Yorkshire…

From Friday 4th (US Independence Day) to Sunday 6th, the celebrated White Horse in Parson’s Green is hosting its first American Beer Festival. We don’t get enough American micros in the UK and this is a great opportunity to try old favourites, some of the growing number of British beers inspired by the American way with the hop, and a few beers that haven’t left the US before now, including a few in cask.

I’m celebrating my 40th birthday there the following Saturday, so if there are any REALLY nice beers, if you could only have one of them and not tell anyone else about them, so there’s plenty left, it would be really appreciated.

They’ve got American bands on and even line dancig at some point, but don;t let that put you off. The full range of beers is as follows:

*Sierra Nevada Torpedo IPA (in cask and keg)
*Sierra Nevada Southern Hemisphere Harvest Ale (in cask)
Sierra Nevada Porter (in cask)
Sierra Nevada IPA (in cask)
*Sierra Nevada ESP (in cask)
Sierra Nevada Pale Ale
Sierra Nevada Brown Ale
Sierra Nevada Bigfoot
Sierra Nevada Blonde
Sierra Nevada Summerfest Lager
Flying Dog Gonzo
Flying Dog Doggie Pale Ale
Flying Dog Old Scratch
Anchor Liberty
Anchor Steam

Crouch Vale Amarillo
Durham White Amarillo
Saltaire Cascade Pale Ale
Roosters Yankee
Roosters Outlaw Amarillo
Roosters Cream
Roosters Special
Acorn Sunstorm
Acorn Cascade IPA
Oakleaf Whole Hearted
Archers IPA
Bowman Quiver
Dark Star American Pale Ale
Ascot Posh Pooch
Ascot Alligator Ale
Ascot Wheatsheaf
Thornbridge Jaywick
Thornbridge Jaipur
Thornbridge Ashford
Abbeydale Brimstone
Kelham island Pale Rider
Goose Eye Chinook
Oakham JHB

* Denotes beers that are leaving the US for the first time