Author: PeteBrown

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Reasons to buy newspapers – or at least link to them

Tomorrow The Guardian travel section is running a selection of perfect pubs to visit between Christmas and New Year, that slow, out-of-time, strange week when you have no idea what day it is and can just sit by a pub fire with a book and the dog all day if you want to. They asked me for my suggestion, and it’s this pub below – check the newspaper tomorrow (Saturday) to find out where it is, and I’ll see you there lunch time on Boxing Day.

Also, today the Daily Express has a round-up of best drinks books of the year, in which they refer to Hops & Glory as “one of the drink books of the year” funnily enough. The value of those remaining copies continues to rise…

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2009: What the blazes was all THAT about? (Part One)

Yes, it’s that time of year again – my personal round-up of the last twelve months. And it is personal – utterly subjective, just a bit of fun. My highs and lows will not be the same as yours, nor would I expect them to be. Part two comes tomorrow.
OVERVIEW
It’s been an incredible year for me personally, and a fascinating year for beer and pubs. There’s obviously been a lot to worry and moan about – pub closures, industry in-fighting, media shite etc – but looking back over the year I feel way more optimistic than I did twelve months ago.
Britain’s craft beer revolution really did happen this year. Brew Dog dominated the headlines, and however much you agree or disagree with them, they’re the only craft brewery my 63 year-old Mum can name (apart for Thornbridge, which she’s been to, and Acorn, which is just down the road).
We also got the first Brew Dog backlash, with even some of their fiercest advocates turning against them. I think we’ll see an older, wiser Brew Dog in 2010. They won’t stop making waves though, and I don’t think they should.
Brew Dog’s achievements have perhaps overshadowed a growth in craft brewing elsewhere. Thornbridge opened a new brewery that is breathtakingly ambitious. Dark Star and Otley, both brewers of outstanding, US-influenced craft beers, are expanding, and many other brewers are too.

Brooklyn Brewery’s Garret Oliver opens Thornbridge’s new brewery in August.

There’s more to say – but let’s say it in my utterly arbitrary and totally totalitarian category awards.

(Note: As this is a review of the whole of 2009, the rules of Let’s Be Nice on Pete Brown’s Beer Blog Month are suspended for this post.)

BEST THING THAT HAPPENED IN BEER THIS YEAR

Winner: Cask ale’s return to volume growth.Writing The Cask Report, we never could have hoped that this difficult year would be the one where cask ale returned to growth – but ahead of expectations, it did. I’m predicting – once SIBA brewers’ volume has been factored back into BBPA figures – that cask will show 2-3% volume growth to the end of 2009. This remarkable in the current climate, a total turnaround in a mere three or four years. And if you’re not a big cask fan, take heart – it’s irrefutable evidence of the wider growth of interest in flavourful beers, and this can only improve as we come out of recession.
BEST THING THAT HAPPENED IN BEER THIS YEARRunner-up: The online beer community comes of age.I don’t want this to sound self-serving and insular, so apologies, but this will prove very beneficial for beer in the long run. Blogging has become a true medium in its own right, and with the addition of Twitter, online and social media have created a spontaneous beery community that swaps ideas, views – even physical beers. I know some people have been blogging about beer for years, but this is the first time I started to perceive a real community with legs in the outside world. There was a palpable sense of excitement at the Great British Beer Festival this year when many online friends met up – or twet up? – for the first time. The industry is now looking online for its ideas – and when brewers and other organisations ask my advice, I tell them that’s the best thing they can do. Brew Dog had already built their brand through this medium before most of us old timers had really woken up to what was going on. They’re going to have some stiff competition in this regard next year. (Come back tomorrow for my blogger of the year).
BEST THING THAT HAPPENED IN BEER THIS YEARHonourable mentions:I’d hoped to include cask ale week here – I can’t, because it wasn’t quite good enough. But it was the first one and it will be happening again, and will hopefully get even better – from what I’ve seen so far it definitely will.The Great British Beer Festival was the best I’ve been to, but the usual wranglings around cask ale festivals and lager, filtered and pasteurised craft beers etc show the need for a different kind of beer festival to run alongside CAMRA-organised events. Beer Exposed promised to be that in 2008, but the organizers decided not to do a second year. That’s a crying shame.
WORST THING THAT HAPPENED IN BEER THIS YEARWinner: The beer and pub industry’s increasingly childish infighting

The British beer and pub industry, 2009 – aka the People’s Popular Front of Judea Suicide Squad.It almost made me want to give all this up. Yes, everyone has different agendas, yes sometimes the aims of different groups conflict. But the broader issues facing the industry will cause for more damage to beer and pubs if we don’t put less significant quarrels to one side and take them on.Just a couple of weeks ago, CAMRA declined to support the BBPA’s manifesto for the survival of the pub, promising to bring out their own instead. AAAARGGHHH!!!!!!! What is the POINT of that? Why duplicate valuable time and resources? Why DELIBERATELY create the impression of a fragmented, bickering industry among the people you’re trying to win over to your point of view? I’m not singling CAMRA out – they’re merely the latest in a long line of breweries and industry bodies indulging in cretinous behaviour that does a disservice to their members.I get so passionate about this issue because history tells us this is what screws people over: whether it’s the American drinks industry in the run-up to Prohibition, communists and anarchists in the face of fascism in the Spanish Civil War, or left wing parties generally and the Life of Brian sketch that satirized them, precedent proves that when you can win a struggle, internal bickering snatches defeat from the jaws of victory.The childish behaviour has to stop.
WORST THING THAT HAPPENED IN BEER THIS YEARRunner-up: Tax, Tax, Tax. Again.
The Axe The Beer Tax campaign just might have worked.
It was a useful illustration of what can happen when the industry stops fighting and works together. It led to one of the most widely supported Early Day Motions in Parliamentary history, saw the brewing industry attempt to use social media for the first time, and helped highlight the issue of pub closures to a general public that may support the media’s anti-binge drink line, but soon becomes sympathetic when they realise they might lose their beloved local.
But the campaign did not receive widespread support among the industry it sought to save. That, and the fact that Alastair Darling is a complete fucking wanker, a Thunderbird puppet lookalike and I’m not just talking about the stupid fucking eyebrows but also the fact that he walks like he’s on fucking strings and talks like someone fucked and bombed on Quaaludes, the fact that he’s so fucking shit at his job he’s actually manage to reduce the government’s revenue from beer by putting up tax, when his only stated aim was to increase revenue, and yet he still thinks putting tax up yet more will somehow have the desired effect – I mean, this man is educationally subnormal – all this meant that tax on beer went up again in the budget.It’ll go up again when VAT goes back up in January and he leaves in place 2008’s nasty, pernicious additional tax rise which was purely to ensure that beer and pubs were the only sectors of the economy not to benefit from a VAT reduction. This clueless gimp is going to throw more people out of work, decrease government beer tax revenue still further, and close even more pubs when he puts up beer tax above inflation yet again in the 2010 budget.
MY PERSONAL BEERY HIGHLIGHT OF THE YEARWinner: Well, it’s got to be winning Beer Writer of the Year.No need to go on about it much more than I already have. To many, beer writing is a hobby – which is not meant as disrespect or trivialization. But to me it is now how I pay my bills, having all but given up my former day job as a freelance ad man in 2009. If I’m going to make a living from it, this is going to help no end.

MY PERSONAL BEERY HIGHLIGHT OF THE YEARRunner-up: The launch of Hops & Glory…and particularly the ensuing tour.

A bookshop in Steyning, Sussex. They knew I was coming.
Rather than being another exercise in self-congratulation it turned into a rather wonderful summer of going to places I’ve never been before and meeting new people. While pushing my book about India, I fell in love with Britain all over again. And yes, there were lots of new beers to try.
MY PERSONAL BEERY LOW POINT OF THE YEAR Winner: My ever-increasing beer belly. Yeah, I know beer isn’t fattening. But anything with calories is fattening when you consume enough of it, and I’ve put on another stone this year. The one and only downside of my increasing profile is that I get a lot more beer given to me, and a lot more invites to events, tastings, judging sessions etc. Each and every one of these is wonderful in its own right, but the sheer volume of them means it’s now a simple choice between my health and accepting every kind invite when it comes. It’s a high quality problem I guess! But seriously. I need to fit back into my clothes and give my liver a rest.
MY PERSONAL BEERY LOW POINT OF THE YEARRunner-up: The Andre Simon Food and Drink Book Awards This is going to sound like sour grapes and there’s no way around that, but it’s a reminder that despite beer’s increasing profile and the vibrancy of the blogging world, there’s still a lot of work to do. The prestigious Andre Simon awards give out an annual gong for best drinks book. With its strong sales, good critical reaction and success at the Beer Writers Guild Awards, I thought Hops and Glory stood a good chance. Then, I saw the criteria the judges were specifically looking for this year: new primary research, educational value, writing that was engaging and interesting, and a book that looked great, and I thought they’d basically described Hops and Glory. I submitted it. It didn’t even make the shortlist. Every single book on the shortlist is a book about wine. In 31 years a wine book has won this award 24 times. A beer book has won once. I didn’t expect to win, but I did hope to make the shortlist. It’s the swings and roundabouts of awards I guess, but when the awards website uses the words ‘drinks books’ and ‘wine books’ interchangeably, I can’t help thinking that the broader perception of beer’s inferiority to wine might still have something to do with it.
Don’t miss Part Two tomorrow – with my nods for Brewer of the Year, Beer of the Year, Beer Blogger of the Year, and the dreaded (but quite predictable) Slop Bucket of the Year! And if I have time, some predictions for 2010.

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The last drop of Calcutta

The world through a White Shield glass – what a lovely world it is. Thanks to BLTP for the photos.
Last Thursday, above the Rake, I finally reached the end of the road with Hops & Glory. A final reading, a few last book signings (sorry to everyone who just got ‘Cheers, Pete Brown’ – the well of inspiration has truly run dry) and a few very special beers.
The event was also unique in that Steve Wellington, brewer of my Calcutta IPA as well as the incomparable Worthington White Shield, and other rarer, even more wonderful beers, left off his eternal battle with his bloody bottling line and came all the way to London to share his perspective on our adventure and on IPAs generally – carrying with him the last ever pin of Calcutta IPA.
Me, Steve Wellington, and Jo Miller of Different World Drinks – who kindly lent us Steve for the evening.

We kicked off with the White Shield and Steve told us about the ageing of it, and how it develops over the years. Hot on the heels of John Keeling talking about this at the tenth anniversary of the Fuller’s Fine Ale Club the other week, it impressed upon me that ageing – not wood ageing/whisky ageing necessarily, but just letting beers get older – is a new (or rather rediscovered) frontier in making great beer, and it’s exciting to see master brewers exploring something that’s new even to them.

We moved on to Seaforth from Thornbridge. This is an all-English ingredients version of Jaipur, the most awarded beer at British beer festivals over the past few years. Seaforth is more of an authentic IPA than the very, very nice new-world influenced Jaipur. It’s darker and slightly maltier, balanced, but still with a definite hop kick. It’s is a limited edition beer, and my link to it is that Thornbridge very kindly asked me to come up with the name for it.
After reading out a bit more of the book, we moved on to Sheffield’s Hillsborough Hotel Crown Brewery IPA. CrownBrewerStu has built his profile in the online beer world quite significantly this year, and from a base of Sheffield’s hardcore tickers his beers are acquiring a deserved wider cult following. After reading Hops & Glory Stu invited me to brew a 7% traditional IPA with him. It was a hop monster – five kilos of Crown, Target and Chinook hops in a three barrel brew. Stu then stored the beer in a garage which hits temperatures of thirty degrees through the summer. When we tasted the new brew it was almost unbearably hoppy – I said almost. The four months ageing has already taken off the bitter edge but the resiny aroma is still present. It’s a beer for IPA lovers, reminiscent of what our next beer was like when first brewed.
Purists might argue that those Chinook hops prevent us from being able to call Crown IPA authentic. But in the 1870s, when IPA was at its peak, we had to import hops from North America, so to suggest that North American IPAs are different from traditional English ones is not necessarily true.
Finally, we moved onto the Calcutta. I didn’t know what to expect – the beer is now almost two and a half years old. Beers that didn’t go on the long sea voyage would be cellar-aged before being sold, and in the book I’d already postulated that the effects of cellar ageing on the beer were similar to the sea voyage – it just takes longer. The beer I had in India tasted different from beer from the same batch drunk in London at the same time.
Well, the stay-at-home beer has now surpassed the voyage beer in terms of changes to its character. It had a funky nose, a hint of spirit. On the palate it was quite flat. The hop character has gone, replaced by something that’s almost winey – the beer is sharp, fruity and a little dusty, with an edge of Lambic sourness around the sides. As we tasted it, the Raj’s descriptions of this as a ‘wine of malt’, and the accusation from one of my audience in Calcutta that this was “wine, not beer”, made perfect sense. It doesn’t taste like beer. For a few seconds, you’re not sure whether you like it or not. And then, suddenly, you adore it.
A few days after the event, I found out that Hops & Glory had sold out. This is an adventure that began exactly three years ago, in December 2006, and now, finally, I feel like it’s over. The book won me the top gong in my field and exceeded expectations in sales terms. It cost me thousands and put me in therapy for a year. And in therapy speak, in that room above the Rake, I got closure on it. It was a great night – a perfect end to the adventure. Thanks to everyone who came.
Thanks also to Glyn at the Rake and Melissa at LoveBeerAtBorough, who organised and staged the event, to all the above brewers for kindly donating their beers, and most of all to Steve for coming all the way to join me for the party, and for brewing this amazing beer.

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Hops & Glory sells out!

The perfect Christmas gift – if you can find it.
I’d like to urge you all to go to Amazon and buy Hops and Glory for Christmas. I’d like to urge you to do that, but I can’t. Because there are no copies left at Amazon. And I’ve just discovered there are no copies left at the publisher’s warehouse either.
Hops and Glory has sold out. Macmillan have sold 4550 copies, and there are no more left.
Of course, you might ask why they don’t simply do a reprint? The thing is, with the set-up costs for this, you’d have to print about 2000 to make it worthwhile. And with the paperback edition coming out in June 2010, bookshops simply would not take enough stock of the hardback to make such a reprint economically viable.
One the one hand I’m upset because we underestimated how many we needed, and are now forfeiting sales as a result – and some beer fans are going to be less happy on Christmas Day than they otherwise would be. On the other, this has happened because the book totally exceeded publisher’s expectations, which I’m delighted by.
There are still copies floating around – check out your local Waterstones or indie bookshop, and have a look on the new and used section at Amazon. I have a few copies left, which I’ll be using for competitions.
The paperback will be out in June – and that will be the edition that gets reprinted as long as there is demand for it.
Thanks to everyone who’s bought a copy! As it’s Be Nice Month, I’m choosing to revel in the positive side of this rather than wail and grind my teeth at the negative.

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Marston’s: the second-best press advertising of 2009

The year’s final deadlines mean I don’t really have time today to add my own comments to this so, rather shamefully, I’m just going to cut and paste the press release. But I think this is fantastic news (and a nice addition to Let’s Be Nice Month):

MARSTON’S PEDIGREE AUSSIE ADS TRIUMPH Marston’s Pedigree Ashes cricket series advertising campaign has been awarded second place in Campaign magazine’s top ten press ads for 2009. The campaign ran throughout the Ashes and used traditional banter to poke fun at Australians with strap lines such as ‘we have beer in our blood, Australians have lemon juice in their hair’ and ‘England has history, Australia has previous.’ Marston’s Pedigree was only beaten to the top spot by The Guardian with their classic comics promotion and was the only beer brand to appear in the top ten. The article praised the ad for ‘lovingly recreating British pub iconography to ridicule Australians.’ Des Gallagher, marketing manager for Pedigree said: “To be placed second out of all of this year’s ads is fantastic news. The campaign was designed to reflect the pub goers view of Ashes banter, good humoured and witty – and judging by the fans reaction we certainly achieved that.” Throughout the summer Marston’s achieved record sales, selling an additional million pints in clubs, pubs and sports grounds across the country.

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Sheffield gets a fantastic new pub. As if it didn’t have lots of those already

Day three of “Let’s Be Nice On Pete Brown’s Beer Blog Month” and boy, it’s tough. A real test of will. If I was arrogant enough to believe that people with influence ever read this blog, I could conjure up a fantasy that they were being as annoying as possible simply to try to get me to break my resolve. Naming names would be tantamount to having a go, but from the government through the industry and the media to the blogosphere, Christmas joy seems to have got delayed, stuck behind an enormous cartload of twattishness. I’m rising above it. I will maintain my resolve. I will be nice.

It was very easy to think nice thoughts on Tuesday night. Thornbridge’s latest Joint Venture is with Pivovar – a company that imports foreign beers – and it’s a joy: ladies and Gentlemen, say hello to The Sheffield Tap, Platform One, Sheffield train station.
To paraphrase the immortal John-Anthelme Brillat-Savarin, a train station without a pub is like a beautiful woman with only one eye.
Sheffield station did have a pub – kind of. In 1904 a set of refreshment rooms was opened for first class passengers. It was beautiful, with tiled walls and a long wooden bar. In 1975 the bar was closed and it was turned into a waiting room. Soon after, it was used for storage. And after that it was closed up, and this listed building was left to rot. The roof fell in, the tiled disappeared behind layers of grime and six-foot drifts of rubbish.
Why Network Rail and their predecessors were perfectly happy to let this happen, to forego the chance of a little goldmine in a beautiful building at a busy city station when they’re continually putting up fares because they don’t have any money, is speculation that will have to wait until after the end of Let’s Be Nice On Pete Brown’s Beer Blog Month. Network Rail were also apparently indifferent to Pivovar’s plans to renovate the place. They have ‘endorsed’ the move, but given little if any practical help.
No matter: Pivovar’s Jamie Hawksworth got in touch with Thornbridge, and between them they’ve created one of the most pleasing bars you’ve ever seen. It combines the grandeur and pride of a classic Victorian architecture, the quiet beer worship of a Belgian cafe and the snug intimacy of a British boozer. Eight Thornbridge Beers on tap, hundreds of bottles from around the world in the fridge, quality Czech lagers, the works.
On the downside there’s one hand drier in the gents that’s like a child’s toy hand drier, and if they don’t put a departures board in there soon I promise you you’ll miss your train. Apart from that, it’s a perfect pub.
(With one slight caveat: apparently, when they got into the place and made their way through the mounds of refuse, on one of the walls was the legend: “Barnsley Skins”. The bar has of course been restored to its original glory but to me this is a vital piece of period detail that has been removed, and I was upset that the guys seemed unwilling for me to scrawl it back on the wall where the big mirror is.)
Thornbridge’s Kelly Ryan, Beerticker movie cameraman Dave, and me – just before it got messy.

It’s only two hours from London to Sheffield, as Simon Webster from Thornbridge kept reminding me. From our house, it’s sometimes touch and go whether I can get to the White Horse in Parson’s Green in that time. The Tap may just be a regular haunt – it’s well worth the travel time.

One bit of advice to anyone thinking of drinking there: if you haven’t done so already, when you discover Raven, the new black IPA from Thornbridge, on no account treat it as a session beer. Your tastebuds will tell you it is. Your beer drinking instincts will tell you it is. If you succumb to these voices you will wish yourself dead the following morning.
Trust me on this.

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Goodwill and good beer

Spent a very pleasant evening at the Hillsborough Hotel with the Beer Widow planning how to spend my year as Beer Writer of the Year (did I mention that?). I’m not going to broadcast my plans for world domination right here, but boy, I’m going to be busy.

Anyway. It starts right here, on this blog, which will be seeing some changes in the New Year.
But it’s nearly Christmas, and I’m very happy with my success last week, and for those two reasons, rather controversially, I’m declaring December “Let’s Be Nice On Pete Brown’s Beer Blog Month.”
So if anyone is logging on to see my thoughts on Brew Dog’s latest Portman spat, or to enjoy me ripping apart the Daily Mail’s latest risible bunch of bullshit and barefaced lying, I’m sorry. I’m biting my tongue till the New Year, and writing only nice things. December is a time of celebration, of recognising everything that’s great about the human spirit, and what better way of toasting that than with beer? The guns of common sense fall silent. The grenades of rhetoric and the tear gas of well chosen swearwords are held in check. Yep, it’s just like the Christmas armistice in the trenches during World War One. Only perhaps not quite as historically significant.
There will be some slight exceptions when I get to posting my review of the year. I had a great reaction when I did this last year and I’ve decided to make it a Christmas tradition. Rereading last year’s it’s amazing to realise what a busy year it’s been – it reads like it was written about five years ago. I’m enjoying compiling the new one, and will post just before Christmas.
But talking of celebration, here – at very short notice – is my announcement of one of the coolest things I’ve done all year. As regular readers will know, I spent most of the summer travelling up and down the UK promoting Hops and Glory in pubs, at beer festivals, food festivals, literary and music festivals. I finished in early October, and had always planned to do a final gig (I started calling them gigs after I performed at Latitude. Take the piss all you want, but my name is on the back of the t-shirt – quite far below Thom Yorke, Doves and Spiritualized and in significantly smaller type, it’s true – but I believe you’ll find that’s how I roll of late) at the Rake in London.
Anyway, this – ahem – end of tour gig was going to take place late October/early November, but I’m very disorganised and so are the chaps at the Rake. So it’s now happening this Thursday, 10th December. Yep, just two days from now.
But if you’re anywhere nearby, it’s worth trying to get along to, and here’s why, in no particular order of merit:
  • It’s going to be the last time I ever do my Hops and Glory reading presentation in the format I’ve done it this year. Next year I have all three books being reissued in paperback and will be writing a new talk/presentation/speech/routine/whatever you want to call it, about beer more generally. So it’s your last chance to hear about Barry the Barrel, William Hickey and Brazilian prostitutes.
  • I’ve got a cask of Seaforth – the special beer created this summer by Thornbridge which is basically Jaipur brewed with all-English ingredients, and which they asked me to name. So I did.
  • I’ve also got a cask of Crown Brewery Hillsborough IPA – the insanely hoppy brew created by Crown Brewer Stu, which I helped brew in the summer. It’s now been aged in a warm room for four months and should have started to gain some authentic IPA characteristics.
  • Finally on the beer front, we’ve got – get this – THE LAST EVER PIN OF CALCUTTA IPA!!! I thought we’d had the last one at my Burton book launch, but they found one last one at the brewery. It’s not been on the sea voyage, but traditional IPAs that did not go to India were aged for at least a year before being sold domestically. This one is now two years old and as such should be as close as possible to how IPA was when it was consumed in India (with one exception – we’d probably get punched if we served it authentically ice-cold).
  • And finally overall, I’m delighted, privileged and honoured to be sharing the room with legendary master brewer, Burton god, curator of Worthington White Shield and creator of Calcutta IPA, Mr Steve Wellington. Ask Steve about brewing traditional IPAs, keeping the Burton flame alive and generally being one of the greatest living brewers on the planet.
The room above the Rake is very small and tickets are extremely limited. They’re available from Utobeer or the Rake, by emailing melissa@love-beer.co.uk or phoning 020 7378 9461.
I’ll be selling all my books on the night at generous prices. They make perfect Christmas gifts.
In the words of the great Roger Protz, what more do you want, blood?
See you there.

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Not an overnight success

While I was the happiest person in the room on Thursday night, a few people will have gone home disappointed.

I know how they feel.
Three years ago I hoped I was going to be successful with Three Sheets to the Wind. I won the travel bursary and hoped I was going to win the overall thing. I didn’t.
But this proved to be the crucible from which Hops and Glory emerged, so I got there in the end. This is referenced briefly in the opening chapter to H&G. But in the first draft, there was a much longer account of the Beer Writers Awards 2006. This was one of the first things my editor cut, and he was right to do so. It was too self-indulgent and prevented us from getting to the real start of Hops and Glory as quickly as we needed to. It didn’t belong in the book, but it couldn’t go anywhere else either.
Now, I think I can offer it here as another deleted scene DVD extra. It is self-indulgent and will only really be of interest to other writers, but I hope it raises a smile and conveys that this is a game of agony as well as ecstasy:
CHAPTER ONE: A POISONED TANKARD?
It was the beer’s fault. It usually is. Although, when you consider that beer is the most popular drink in the world, consumed by billions on a daily basis, and not a single person among those billions has attempted to do what I was about to do in the name of beer, I have to shoulder at least some of the blame myself. I don’t mean that I got drunk and did something I regretted. I did get very drunk. And I did do something I would come to regret bitterly at several points over the following year. But one did not lead to the other: I did most of the damage while perfectly sober. What I mean is, this was one of the increasingly frequent occasions when I got carried away after spending too much time with the kind of people you meet when you let beer start to mean more to you than simply the best long drink in the world. Not for the first time, the ideas and associations that surround beer, what beer means, intoxicated me more effectively and more devastatingly than mere alcohol ever could. My voyage across the Atlantic on a century-old tall ship, and the larger quest of which it was merely part, began over dinner, ten months before I boarded Europa. Not just any old dinner though. Tonight, in the elegant surroundings of the Millennium Gloucester Hotel in London’s fashionable Kensington, just before Christmas really started to get going, several people – not all of them bearded, pot-bellied, cardigan-clad or even necessarily male – were about to receive trophies and cash for writing about beer. Every single time I mention the British Guild of Beer Writers to people who don’t work around beer, they seem to find its very existence, the mere concept it, either hilarious or completely unbelievable. A few years ago I could still sort of remember why this was. But I wasn’t laughing tonight. Tonight, for the first time since I started writing about beer, I was one of the people hoping to climb on stage and shake the hand of TV Chef and Celebrity Yorkshireman Brian Turner, and collect an envelope from him as the great and good of the British beer industry bathed me in their applause. Beer had just got serious. As formal dinners go, it was probably one of the more unusual the harried hotel staff had catered. The India Pale Ale sorbet had been a triumph. The venison matched with brown ale had split opinion, and the double chocolate stout with the chocolate pudding had been judged a bit too obvious by my table. But the contented bickering indicated that, overall, the dinner had been a success. Brewers, beer writers, beer marketers and beer PR executives pushed back their chairs, ambled past tables where they paused to shake hands with colleagues and adversaries they hadn’t seen since this time last year, and made their steady (for now) way to the bars at the side of the big, palm tree-lined conservatory to choose a digesitif from the range of forty or so beers available. The cannier among them picked up more than one bottle, knowing that in a few minutes they’d be confined to their seats to wait patiently through the business part of the evening. When it comes to the mix of emotions within the audience, all awards ceremonies are the same. Whether we’re talking about the Oscars or school sports colours awards, most attendees are willing this part to be over as quickly as possible. The few attendees who believe they’re in with a chance of winning something do their best to project an attitude of good-natured, weary boredom, while their insides churn through hope, envy, bitterness and triumph and back to the start before the shiny envelopes have even appeared. I wondered briefly which end of that scale –Academy Awards or school colours– the British Guild of Beer Writers Annual Awards Dinner was closest to. I was always rubbish at sport, and so far nobody had tried to throw my bag on the roof, beat me with a rolled up wet towel, or take the piss out of my green flash trainers in front of forty other people before whipping my arse repeatedly with them.[1] And the idea of me winning something, anything, was something you could at least entertain without having to question the fundamental laws of reality. So tonight didn’t feel like my school sports award ceremony at all. On the other hand, Brian Turner was by far the most famous person in the room. As the PA system popped into life and the big screens lit up with the logos of our brewery sponsors, I joined the stomach-churners for the first time, practising the requisite benevolent smile for when the name that is read out is not yours, the smile that you will need to keep pasted to your face as you watch someone else walk in YOUR stead up to the stage and collect YOUR award and you can only think of how long it is before you can reasonably disappear to the toilet and punch the cubicle walls and question your whole direction in life and wonder at the futility of it all and hate yourself for even thinking for a second that you were in with a chance of winning anything. You know how it is. “And the winner is… Pete Brown!” As Brian Turner became the first person in history to utter those words in that order, my initial reaction was not jubilation, but profound relief. It wasn’t the main award, of course (I would need my fake smile after all, later in the evening, for that one) but it was the one I really, really had to win. The Budweiser Budvar Travel Bursary is awarded for beer writing that has an international scope. This is a good idea in a country where many beer acolytes start with the belief that the best beer in the world is brewed within a couple of hours’ drive of their front door, and work cautiously out from there. The 2006 prize was awarded for my second book, Three Sheets to the Wind, which is still available on Amazon at a bargain price. To write it, I’d travelled forty-five thousand miles around the world, visiting nearly five hundred pubs and bars in twenty-six towns and cities in thirteen countries on four continents. It had cost me one year and thousands of pounds to plan and execute the travel, a second, much lonelier, more frugal year to write a book about my journey that was far too long and self-indulgent, and then help my editor delete about a third of it and fashion what was left into something people might conceivably pay money to read. I was the only beer writer to have attempted anything on this global scale, at least in one go. If someone else had won the beer/travel prize for, say, a fifteen hundred word article in Beers of the World magazine about a day trip to a brewery in Bamberg that makes smoked beer, interesting as that would no doubt have been, I would have had to take it as a pretty heavy hint that I wasn’t really getting this beer writing lark right. I’d even included a glowing account of my visit to the Budweiser Budvar brewery in Ceske Budejovice, southern Bohemia, and their head of Public Relations was on the judging panel. I had no idea what I was setting in motion as I stood up and walked to the podium, shook TV Brian’s hand and relieved him of a ceramic tankard with painted figures on the outside and, even more attractively, a cheque for a thousand quid on the inside, underneath the heavy pewter lid. After that, everything happened so quickly it would be months before I came to terms with it. Relief turned to glowing satisfaction as I got back to the table, moved the cheque to my jacket pocket and filled the tankard with something dark and malty from somewhere in Belgium. The Budweiser Budvar Travel Bursary 2006 was the fourth prize I had ever won in my life.[2] Two of the previous three had been writing competitions: the first was for a story inspired by a poster in the school corridor when I was ten. My gripping yarn of mutated giant hornets ridden by evil goblins thrashed the living daylights out of the runner-up, and not just because he was eight years old and the only other entrant. My last victory was the Time Out short story competition in 1994. My delight at winning my first ever computer for a story about an eclipse over London, and having it printed in a magazine people actually read, was only slightly lessened by the fact that Time Out immediately abandoned the competition in their wake of my victory, and has never done anything to encourage people to write short stories since. As I returned to my table I was optimistic: sixteen years between the first two prizes. Only twelve between the second two. My writing career was gaining momentum.[3] I should have been very happy indeed. There was no other sane reaction to the kudos of having won a prize with my first entry into the competition, not to mention paying off another thousand quid of the debt the writing had accrued. But as Brian reeled off the names of the winners of the other categories I’d entered, doubt crept back in. Finally it was time for the overall prize: Beer Writer of the Year, chosen from the winners of all the categories, built up by a glowing eulogy from Alistair Gilmour, the previous year’s winner. “This guy could have won every category he entered…” Hey, I entered several categories! And I won one! “He’s very funny….” People always say they laughed at Three Sheets. “He brings a breath of fresh air to beer writing…” Me, me, me… “And I’d just like to finish by illustrating this with a short piece…” Yes? Which piece? The bit about the Hamburglar in Spain? The bloke who ran the bar in Portland Oregon for 25 years after signing the lease for a laugh while he was drunk? The bits with Billy and Declan in Galway? Which? “…about the time he tried to convert his older brother to the delights of real ale…” Bollocks. My only brother is three years younger than me and I’ve never tried to get him to drink real ale. Ben McFarland, the hardest working man in beer writing, rose to collect his second Beer Writer of the Year award in three years. I couldn’t begrudge him it. He’s a very good writer, and if I couldn’t win, he’s the person I’d want to. In fact, every category was won by someone I not only respected as a writer, but also enjoyed sharing a beer with. It was a good night. But they were still all bastards. Doubts started to crawl all over me like little ticks; ticks that could whisper in your ear instead of giving you a rash. They’d given me my award out of sympathy. Just because of the disturbing amount of effort I’d put in. And you couldn’t ignore the very curious wording of the award. As I drained my tankard, I started to think very carefully about that, oh yes. You see, if you read it closely (OK some might say too closely), The Budvar Travel Bursary is specifically not awarded to “the year’s best piece of beer-themed travel writing (or travel-themed beer writing)” at all. It was actually awarded to “the writer who the judges feel could most benefit” from the money. Technically, it wasn’t rewarding my writing. It was saying I needed more practice. Well, that was that. Three Sheets had taken two years of my life, cost me thousands, damaged my health and upset my wife. I wanted to write more books, but there was no way I could ever do anything else on such a scale. I had been trying to work on new ideas for six months, and come up with nothing. It had been my best shot. I was having trouble communicating this to the people around my table though. They weren’t sitting with the overall winner, but they were sitting with a winner, and they were very happy for me. “Congratulations, Pete. What are you going to spend the money on?” “You’ll be off on your travels again now then, eh?” “Where are you going to go next?” “I think Liz deserves a bit of a break from the whole beer thing,” I said. “I might spend most of it on some luxury health spa retreat for us both. And then… I might write a book about… I dunno, something else.” “No, but seriously, there’s loads of countries you didn’t go to last time aren’t there?” “It’s a travel bursary. You’ve got to travel.” “You could do a pub crawl across England. The longest pub crawl.” I grinned mirthlessly. “I was going to. But a man called Ian Marchant already did. And not only did he steal my idea before I’d thought of it, he wrote a better book about it than I would have done. It is in fact called The Longest Crawl. Funny eh? It came out a month after Three Sheets. I can recommend it.” “So where are you going to go then? What about going to the States again?” “I need to refill my rather splendid tankard, I’m afraid.” I was being churlish. Every person on my table was a beer-world mate, someone I was very happy to be dining with. And I’d won something. So later, after refilling my tankard too many times, disgracing myself, losing my cheque and phoning Budvar the next day to ask them to stop it and issue me with a new one, I thought about how I might satisfy the moral obligation to spend at least some of my prize money on a beery trip somewhere. I might return to Germany and visit some of the famous brewing towns I was forced to skip on my Three Sheets trip due to the Death Star-sized hangover and possible scurvy inflicted on me by Oktoberfest. Maybe write that article about the day trip to Bamberg and the smoked beers myself. Or perhaps I’d go to Finland and drink the very strong beer they still make there by fermenting wort with bread yeast inside a hollowed out spruce log before filtering it through pine needles. Either of these trips would make a nice article for one of the specialist beer magazines. I would enjoy the trip, learn something new, and the obligation would be fulfilled. These plans made me happy for about two weeks, before flying scared out of the window of a central London pub, chased away by the dangerous and stupid idea that was about to change my life.

[1] The games teachers at our school knew they had an important stereotype to conform to.
[2] Nobody ever actually said, “And the winner is… Pete Brown!” for the first three, unfortunately.
[3] The other prize I won was for painting some Citadel Miniatures TM Warhammer TM Chaos Warriors TM at a model making competition in Rotherham when I was thirteen. But that’s another story – one I have no intention of writing.

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I’d like to thank my mom, Jesus, Barry the Barrel, Brew Dog, the Portman Group…

Last night I was named Beer Writer of the Year at the British Guild of Beer Writers Awards. Hops and Glory was awarded the Budweiser Budvar John White Travel Bursary, and this – with a nod to my writing in other fields – put me through for the top gong.

The fact that, for the first year, the award was renamed in honour of Michael Jackson, makes winning it doubly special to me.

I started writing about beer about six or seven years ago. I rant a lot, get frustrated, bore people sometimes. Well quite a lot, actually. I sometimes ask myself why I stepped off an executive career ladder – a ladder I was climbing reasonably quickly – to do this. I earn a fraction of what I used to, and an even tinier fraction of what I’d now be earning if I’d stayed on that ladder. But you might also ask why – when we read about binge drinking media shite, closing pubs, neo-prohibitionism, industry in-fighting, political wankery and all that – why so many people are picking up a pen or sitting down at a keyboard and deciding they want to write about beer – often in return for no money at all.

I fucking love beer. I love the taste and appreciation of it. I love the society and culture that surrounds it, and the way it influences society and culture more broadly. I love the history of it, and what that history tells us about ourselves. I love the way it’s an international standard, a universal signifier of unpretentious sociability. I love the fact that I’ve made scores of genuine new friends through it – many of whom I’ve yet to meet physically. I love the way it inspires and intoxicates me – both in a physiological sense and an intellectual one.

I never, ever regret giving up a career in advertising – which, if you do it well, makes people a little less happy with what they currently have as part of making them want something shinier and newer – for a career in beer – which, in the vast, vast majority of lives it touches, makes those lives warmer, richer and smilier.

The rule last night was that nobody wins more than one category, so once Hops and Glory won, I was out of the running for stuff like blogging and trade press. Maybe if things were different I’d have picked up an award for this blog, and maybe I wouldn’t. It’s irrelevant. What did happen is that Woolpack Dave was runner up in the online category, and Young Dredge won it for Pencil and Spoon. I’m absolutely delighted for both of them. Mark Dredge emailed me out of the blue about eighteen months ago and said he wanted to be a writer and did I have any advice. I gave him some advice and he took it. And then he attacked his task with astonishing energy and dedication, and grew as a writer incredibly quickly, and did some new things no one has done before, and made electronic media his own. Mark and Woolpack Dave started blogging on the same day as each other, a little over a year ago. Now they’re recognised asthe leaders in their field. The world of beer writing can never again be complacent or self-satisfied – something it was accused of regularly when I was new to the game. (Every now and again I still think of myself as a newcomer to this. But increasingly, six years feels like several lifetimes in beer writing years).

It’s a privilege to be able to write about what I fucking love and have people read it – whether that’s in a book, a magazine or newspaper or on a blog. I love the interplay of different media and the way I have to change my writing style between them. Blogging makes me a better book writer, which makes me a better journalist, which makes me a better blogger – or maybe it’s the other way round or back to front.

Today I’m going to write my final column of the year for the Publican and then I’m going to a beer festival and/or a bar and I’m going to exceed the recommended daily guidelines of alcohol unit intake. I’m going to get drunk. I’m going to get shitfaced, sozzled, pissed, bladdered, cunted, wankered, soused, and most of the other 1346 words for inebriation I’ve collected over the years. I’m going to have a good time doing it, and the people who are with me are going to have a good time too – a better time than they would if they stayed in and watched the telly. And when I come home with The Beer Widow and a few mates, I’m going to share with them a bottle of Bass Kings Ale, brewed in 1902, which cost me over a hundred quid, and I’m going to marvel at the miracle of beer all over again.

And then on Monday, I’m probably going to weigh in about Portman banning Tokyo* and how they haven’t really, or moan about the fact that because I’ve bought books on beer from them in the past, Amazon just emailed me telling me I might be interested in a book called ‘Reducing Harmful Drinking’, and off we’ll go again.

Have a bibulous weekend.

Cheers